tehnominator said:As far as I can tell, Bee Train needs to look for new stories to animate. It seems that every time they put out a new series, it's about amnesiacs with amazing combat skills.
Cases in point?
Avenger
Noir
MADLAX
...and to a much lesser extent, El Cazador de la Bruja, since the actual kick-ass fighter wasn't the one with the amnesia.
So what's with this production company and these storylines?
Do you find it to be a charming quality of their anime, like their signature move or something? Or do you find it to be repetitive and uninspired?
Welp, let's answer this decade old question from an objective perspective.
No. Phantom: Requiem for the Phantom is not just Noir or Madlax with a guy as the main lead. The anime series is actually an adaptation of a visual novel video game that came out as early as 2000. One year before Noir's debut. The similarities (secret organizations, assassins with guns, amnesiacs, one character warming up to the main lead) would exist regardless of Bee Train's existence.
As for every new Bee Train show being about "amnesiacs with amazing combat skills," that is not true for every one of their shows. Popolocrois Monogatari, Arc the Lad, Medabots, one of those animated Batman shorts, .hack, Meine Liebe, Spider Riders, Blade of the Immortal, Hyouge Mono, ect. are not about "amnesiacs with amazing combat skills." You can only apply that claim to their Girls with Guns trilogy. Avenger doesn't count because that was a collaborative work between Bee Train and Bandai to make a space opera, and because neither Layla nor Nei were amnesiacs. Layla was a stoic driven by vengeance, and Nei was trying to hide the fact that she was regular child and not a robotic doll.
To answer the question of "Do you find it to be a charming quality of their anime, like their signature move or something? Or do you find it to be repetitive and uninspired?" Well, since the Girls with Guns trilogy was a spiritual trilogy, of course Madlax and El Cazador were going to be similar to Noir. Now sure, each one contains a blonde and a brunette as main leads, each one involves firearms, each one takes place in 2011, each one involves a secret organization led by a criminal mastermind, each one is scored with music by Yuki Kajiura, each one contains ambiguous to obvious same-sex relationships, but all these similarities are minor and superficial. What makes all three of them different is the characters, their writing, and the impressions they give. Try swapping Mireille and Madlax from their respective universes, it will not work. Try swapping Kirika and Margaret from their respective universes, it will not work. Then, in terms of story beats, the difference is within the context and circumstances that they were done under. Thematically, it can be said that Noir is more about heart in terms of one’s emotions and relationships and human nature; Madlax is more about mind when it comes to one's vocation and sense of purpose and the unknowns when it comes to the supernatural; El Cazador is more about soul as the two girls journey from place to place and meet new people along to way, considering that one of the girls is a clone for a science (because science). And archetypically, it’s kind of like what George Lucas had in mind when he was making the Star Wars prequels in context to the original trilogy: they don’t repeat, “they rhyme.” Had Yuki Kajiura reused the Noir soundtrack for Madlax, that would certainly feel like a repeat. Had Margaret and Madlax met at a construction site, lived under the same roof, and embarked on a pilgrimage to the past while setting up shop (ending with Madlax promising to kill Margaret) all in Episode 1 like Kirika and Mireille did, that would definitely be a repeat, or a rehash. However, a rhyme is where the sight or sound of something brings up a childhood memory from the subconscious mind and that sets off the plot, something like red shoes or the melody of a pocket watch. Another rhyme is where one glimpses the truth, but denying it leads to a downward spiral that results in the deaths of innocents, as seen in the twentieth and onward episodes of both series.
So.... Objectively, it makes sense for Noir, Madlax, and El Cazador to follow a similar premise. Subjectively, one can get enjoyment from each of these three and love the trilogy as a whole, or one can find it too "repetitive" and "uninspired." Sure, just about every idea has been done before in story telling, but the "uniqueness," the "freshness," the "novelty" of an idea, that part is subjective. It depends on how many time you've seen. It is not provable nor measurable. You cannot say they're all the same without ignoring their contexts. Similiarly, people have done this by alleging Disney's The Lion King is a rip off of Kimba the White Lion. They leave out everything that makes them different. There are names for these types of fallacious arguments such as the Texas Sharpshooter Fallacy and False Equivalence. Most recent: Adam from YMS did a thorough job delving into that conspiracy and proving it wrong
And to say Bee Train's manifesto is to regurgitate the same thing over and over again is simply not true. Koichi Mashimo's goal when he founded Bee Train was to create a "hospital for animators." An animation studio that provided an economic and productive environment for Japanese animators at the time rather than caring about corporate strategies and profit. The idea was based on Mashimo's prolonged stay in an intensive care unit after a severe skiing accident. |