 https://myanimelist.net/anime/60371/ Plot Summary Next to Miyu Suzuki, a trendy and bubbly high school girl, sits Yuusuke Tani, a quiet and frank boy. Their interactions are brief, limited to Suzuki's unprompted random questions and Tani's succinct answers. Yet, beneath these simple exchanges, feelings of love are quietly blossoming. Suzuki sees Tani for who he is: a straightforward boy who respects everyone equally, completely unconcerned about fitting in. Unlike Tani, she is too hung up on what everyone else thinks, desperate to keep her crush a secret. However, a slight misunderstanding leads to Suzuki confessing her feelings—and to her delight, Tani feels the same. Jittery with excitement, the young couple starts dating, embarking on a wonderful journey of friendship and love. Other Information Type: TV Episodes: 12 Status: Currently Airing Aired: Jan 11, 2026 to ? Premiered: Winter 2026 Broadcast: Sundays at 17:00 (JST) Producers: Dentsu, Shochiku, Mainichi Broadcasting System, Tohokushinsha Film Corporation, Shueisha, Shochiku Music Publishing, AbemaTV Licensors: None found, add some Studios: Lapin Track Source: Manga Genres: Comedy, Romance Theme: School Demographic: Shounen Duration: 24 min. per ep. Rating: PG-13 - Teens 13 or older |
| Episode 1 And here's the oddball romcom in which Suzuki and Tani couldn't be any more different. But that's what drew them to each other in the classic rule of opposites attract. Here, it's Suzuki who is the genki one while Tani is the subdued one like in My Dress-Up Darling as those two really hit it off. Quite a nice start there, and that ending animation is amazing. Should be fun to see how things go with this relationship seeing that the confession came early rather than it being drawn out. |
| Ahh I love this adorable weirdo. I always enjoy the not so perfect characters who try their best. Hopefully it still has somewhere to go after an ep 1 confession. For some romcoms the appeal is in the will they won't they and once they hook up all the magic is gone. |
| Well... I like Suzuki, but Tani... just isn't funny. I'm looking for some comedy in my romcoms. Suzuki is doing all the work here, and it's like she's performing to a wall. I might keep it on trial, I might not. I doubt that Suzuki's antics alone will carry the show. |
| Not sure what they're going to do with this but I'll give it another episode. The dub's pretty good but the onscreen text isn't translated, so I had to watch subbed. Not that it was a problem, but usually it's the dubbed that gets the text translated, so I was puzzled. |
| It feels a little like "We have My Dress Up Darling at home" but I enjoyed the first episode. As pointed out, where do they go after the confession in the first episode, but at the same time, glad they don't drag it out. |
| Aaand The End! Wow! What a lovely and sweet short rom-com story. xD It was quite cute and silly, and I had fun so I'll keep watching. But, it pretty much cleared the biggest obstacle to the MCs relationship-- letting each other know how they feel. I thought it was gonna play around the misunderstanding angle for a while (Tani and Suzuki misunderstanding each other's attempts, Suzuki sending wrong ideas to Tani due to her prioritizing her image, and vice versa with Tani due to his lack of conversational skills, etc.) I guess we're pretty much just gonna see them try to date-- be sweet and cuddly with each other, as Suzuki does her best to keep her image or something like that. I prefer the misunderstanding approach but, I'll let the show do it's thing and see what they have-- Hope it's good. |
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Jozuwa-_- said: Aaand The End! Wow! What a lovely and sweet short rom-com story. xD Ha! I had strongly considered writing a similar post, because that was exactly how I felt at the end of the first episode. In fact I almost decided to drop the show then and there because of my belief that it would be all downhill from now on. But I'm going to persevere and hope the "happily ever after" part gets snuggly and not cringey. |
Reply to SparkyBob
Jozuwa-_- said:
Aaand The End! Wow! What a lovely and sweet short rom-com story. xD
Aaand The End! Wow! What a lovely and sweet short rom-com story. xD
Ha! I had strongly considered writing a similar post, because that was exactly how I felt at the end of the first episode. In fact I almost decided to drop the show then and there because of my belief that it would be all downhill from now on. But I'm going to persevere and hope the "happily ever after" part gets snuggly and not cringey.
| @SparkyBob Right? There's pretty much no reason to look forward to the next episode aside from some lovey dovey treat. But yeah, giving it a chance as well-- the execution was quite cute and fun anyway. |
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| I'm glad they didn't stretch out the misunderstanding. That sort of thing has been done to death. So many new romance shows in the last few seasons have been super one note. They're all either super cutesy or angsty or melodrama with a bunch of boring, cookie cutter, characters and any attempts at comedy fall flatter than Frieren's chest. It's nice to have one that finally hits on all cylinders. I don't love the art style, it's slightly too cartoonish. But, that's my only complaint. |
| Cursive is the future. - Nate Bargatze |
| Episode 1: Poststructuralist Gom Jabbar It's been a while. I don't think anime has given me anything to say since that doctor detective show, and I don't remember the last time I had anything good to say. But this thing wins. And not only that, it wins twice, by being an entirely different animal in the English dub. First: It seems multiple people are making the comparison to My Dress-Up Darling, but— I am not someone who accepts the standard, popular readings; nor do I care much to "do the work" when the work being suggested is rote and I can predict what it will entail. Thus I haven't watched five seconds of My Dress-Up Darling, but I highly doubt comparing You and I Are Polar Opposites to it is a fair reading. It's entirely possible My Dress-Up Darling is just as introspective as this thing, but it certainly doesn't sound like it is; instead it gives off the impression of being much more surface-level with its romance and oriented more towards fanservice. This thing just gave us a whole first episode almost entirely in the protagonist's head; it is clearly doing something very different. I will watch My Dress-Up Darling, and admit the comparison is more than just "shy guy and gyaru," when someone gives me an analysis demonstrating that it focuses as much on introspection as You and I Are Polar Opposites. Somehow I doubt Marin visits the gloom dimension as frequently as Suzuki. I am instead reminded of Tomo-Chan Is A Girl! and The Dangers in My Heart. Suzuki's test of humanity might not have been as bad as the Bene Gesserit pain box, but she does still end up staring at her hand. To overcome the kuuki she had to be able to take command of her own humanity, not just letting herself be governed by the flow of others but manifesting her own private will in public action. Not that this is particularly deep—we're still talking anime here—but it's not shallow, which is rare enough in anime. Anything that even gestures towards understanding motives and signaling, without it turning into some stupid reasoncel game (Kaguya-sama: Love Is War had a bit of this problem; it killed Undead Girl Murder Farce), is doing the Lord's work; this is what made Yuri Is My Job! so good. Though there is a line You and I Are Polar Opposites has drawn that it shouldn't have: Claiming that there are people—here Tani-kun—who don't follow the social vibe. Sure, what it's getting at is whether people are "faking it" or are being sincere in their behavior, and whether they're willing to directly oppose smooth social interactions with their own formulations and desires. But taking this too seriously misses a great deal about social dynamics and the formation of the self: Because out of what are our desires made, and how do we manifest them? The social atmosphere is also determinative of what we know how to desire in the first place (not to mention that we have to manifest our desires within an already-existing language). And what we want to do, or the why of it, aren't static things, or even necessarily fully-formed, and often we don't even know ourselves. Why am I writing this here? I have a good enough sense of myself that I could give an explanation (one likely rather long), but even I don't think I know the entirety of my own motives. To be explicit, Suzuki at least is wrong to think Tani-kun was not just matching her conversational tone in telling her he would indeed like to go to the Burger King clone with her. Sure, he's not being fake-performative genki about it, because that indeed is not his mode of operation; but the whole interactional nexus of walking home together was one big exercise in interpreting what Suzuki was doing. We have to say that he was indeed trying to match her tone; the difference is that this was a new social situation for the both of them. Neither of them really knew what the other wanted, but (i) that is true of all human interaction, and (ii) it was precisely reading Suzuki's vibe that prompted Tani-kun to hold her hand. How do you fall in love? Well, you've got to experience it to figure that out, but even before that you have to know that falling in love is an option: You go off what you've heard and use that to interpret the signals within yourself and others. We are in fact unable simply to do it like they do on the Discovery Channel (if that still exists even). To get back to the episode, Suzuki does understand that she's within a complicated signaling situation (entering the gloom dimension and internally berating the blond idiot for complicating her pre-relationship negotiating phase), but she misses that both of them are necessarily acting in terms of preconceptions about their situation, which is precisely kuuki. Not being Japanese I don't know the common way of talking about kuuki; I just know hermeneutics. It may or may not be the case that the common cultural understanding of kuuki, the way it's usually spoken about, takes into account this poststructuralist point about language and meaning both standing between and determining our inner selves and outward actions. But the show doesn't seem to allow this. Again, it's anime. Good anime, though. I know little about music, but I lost count of how many times the music did exactly what it needed to do: This is not at all a fair comparison in multiple dimensions (foremost the mood), but the way the music both did so much work and accompanied them as they walked around the city reminded me of Eraserhead. Although there was that track that played while they were at the restaurant, the happy, measured one that sounded almost off-key as Suzuki was thinking about how fake her interactions were. (Thankfully they were eating normal food; and the dinner in Eraserhead just had the buzzing sound if I recall correctly.) Then there was the bubbly reverie-thing when they held hands, the intense one when she was stressing about Tani hearing her outburst in class, the lo-fi thing at the beginning, and the expert transition from Suzuki's thoughts to Tani's at the end as he's walking across the bridge. That last one was too good; with material this smart and directing this expert, I have to think we can trust it to keep going at least a few more episodes, if not the whole thing. Skill doesn't lie. And now for the weird part: I'll look at MAL's main episode thread for a new show if I like it; a few people over there were saying that the VA for Suzuki in the English dub did a good job, and—I don't disrespect Dune by making my references stretch too thin (apparently you can't italicize spoiler text): Having just gone over that language is interposed between the self and the world—we have to speak and think in terms of this outside thing, language, that we don't have control over within ourselves—in a very real way there is this thing that is not us working within us. In Dune people who go through the spice agony have access to all the memories of their ancestors (well, women can access their female ancestors; Muad'Dib can of course see all). One of the narrative points in the books is dealing with integrating these memories—and there are unfortunate situations in which someone with such memories can become "possessed" by one of their ancestors in their mind. But this is not all that different from how all of us live our lives: We take in information and learn to parrot its ideas, structures, and motives. I am here doing an analysis formed by a strange conglomerate of late 20th-century and early 21st-century education and culture, talking about Dune and Eraserhead and gyarus, making up discourse-topical words like "reasoncel," and blathering on an anime forum. It is definitely me doing it, but what is it that I'm doing? I don't have full control over the language, references, and meanings I'm using, nor did I make some sovereign decision as to what I would allow to influence me. I have no idea what might come of writing this, or what it might make people think. But watching Suzuki in the English dub made me think this: She's possessed. I am just a dumb monolingual American, so I can't exactly judge, but Japanese VA Suzuki gives the impression that she could indeed be a normal Japanese high-schooler, and speak like one. Being the protagonist of an anime and not a real person, she is probably more calculated and self-conscious than the average, and in general more exaggerated, but that's fine. She's an aware, sensitive girl who understands she's adopted a persona and is conflicted about it; this is a believable thing. English VA Suzuki is insane. The English dub demographic is not at all analogous to the Japanese demographic; I have to assume dubs like these are more aimed at adults, particularly men, at least for something like this and not the huge, basic stuff like Demon Slayer. It is then further constrained by rating requirements, and the limited attention these dubs get, as well as their limited financial attraction, mean the general quality probably isn't going to be that great. Here though I was surprised that the voice acting actually does sound good, like the VAs are actually good and tried to do a good job. Almost every other time I try a dub the voice acting sounds lazy and unemotional. But we all know this. And we also all know that the translation choices are often odd, at minimum: At worst they're an awful amalgam of corny, forced young person lingo generated by adults that clearly do not speak that way, doubly corny because they have to avoid obscenity and thus use replacement words that just make the replacement more obvious. The dub for You and I Are Polar Opposites does trend towards the worse as far as this goes, and there are ways it is egregious, but it's also clearly better-thought-out than the worst examples. I found myself thinking it was a bit much at times ("ASAGDMFP") and not that it was corny. Instead: The awkward language amalgam has made English VA Suzuki into a pink vortex of linguistic revenge on a contradictory universe. She will force-feed the fake surface vibe a chainsaw, right where everyone can perceive her doing it. You don't have to have been a high school teacher as I was to know that nobody talks like that. Sure, kids have their stupid brainrot words, and they can be clever at times, but the dub's choices have made English VA Suzuki a brilliant, whipcord verbal machine. She's running on the bad fuel the dub gives her (I think I was actually familiar with the "cup of sugar" thing though I couldn't have told you it existed before watching this episode), but the abilities it inadvertently gives her are impressive: "Here where there are people who can PERCEIVE me?" is gold by itself, but a high school girl using the word "perceive" thus and accenting it thus adds to the reading; this is a smart girl. I suspect given a few hints in that direction that Suzuki is supposed to be a good student (though it may turn out the quieter, dark-haired girl is the good student), but English VA Suzuki ought by rights to be in the literature club at least. She could get to Gilmore Girls–level banter if she worked on it; she's got the skill. All she'd need are real books (of which, alas, kids these days are deprived). Note that I am not saying this is intentional; I think it is a strange byproduct of the translation and dub constraints. But we know that intention is not what defines a work. I do think the people who wrote this dub know they've made Suzuki more clever than she's supposed to be, and I suspect they put more work into it than the usual and that they enjoyed themselves doing it. I'm not sure she's particularly coherent as a character, but again this doesn't matter. Hence possession: Suzuki is literally a different person, voiced by a different person, given a different personality formed by this strange discursive amalgam. And somehow it works, and works well. Whether or not it's good for dubs to alter the property so drastically is a different question, but I will consume both happily (as long as the dub continues to hold up its insanity). And Suzuki's got more than one entity possessing her: Some of those anxious smirks are definitely Tomoko from WataMote. This is how art functions—such that I wouldn't be at all surprised given the weird shit Derrida et. al. would say if one of the poststructuralists already made this comparison to possession. EDIT: One more thing I forgot to mention: Again, I know only English, so I have no idea how accurate this is: From watching enough subs I get the impression that it wouldn't be unfair to say that Japanese puts a lot more interpretive freight than English does into each of its spoken words. Subs often seem to me to include a lot more details about emphasis and meaning than at least the dictionary definitions of the Japanese words spoken. In other words, more of the meaning intended by what is said is encoded in the contextual cues of the conversation. Might this not make the kuuki more dense in a way? You have to do more signaling work with fewer sounds. On the other side, English is so word dense and dynamic that—we forget kuuki exists, because we feel like we can convey everything with our words. I don't have to know anything about Japanese to know that we Westerners are obsessed with the idea that the meaning of words is obvious, and that we can pin meaning down to the table and dissect it. This just makes it all the more difficult for us to realize meaning is not at all obvious—but it also makes it all the more fun to mess around with language. If my interpretation is correct, it'd make sense that the English dub does this to Suzuki: She literally has to be more voluble both to function within the English discourse and to overcome its surface. |
auroralooseJan 15, 7:40 PM
| il n'y a pas de hors-texte |
| There is a subtle but pervasive theme of honne (real feelings) and tatemae (public face) so far. It's not rare for anime, but can often be absent. Her internal dialog is in a different tone to the external, and that people copy her homework and she was conflicted about going out which could cut into her homework time it's clear she's intelligent and studious and serious. But very worried about having to please people and act a part. That's a reason why she was attracted to Tani, because he *does* tailor himself to different situations but doesn't push the extra mile to make everyone like him 100% of the time. I wouldn't say her Japanese dialog was at all memey, full of slang or high-brow though like apparently the dub is. She seems like a grounded, educated young adult. As for additional meaning being added over the literal Japanese dialog in subs -- yes that's often necessary in a translation to English. Word choice is part of it, but moreso the politeness level and delivery of the lines to indicate emotions, sarcasm, even pitch of voice is used differently with different social contexts. Internal dialog frequently uses regionalisms where spoken dialog is very consciously 'standard Japanese' because the honne/tatemae is always at work (in any semi-realistic setting). |
| I do want to stress the male MC isn't shown as antisocial or oblivious. When he asked for the papers from the different groups of people, his tone and demeanor were tailored to the situation even while his word choice remained terse and consistent. I'm expecting this show will probably start focusing on the other classmates though. It gave a lot of attention to distinguishing pairs of individuals as units. |
| Not sure why "My Dress Up Darling" (3 people comparing it in this thread alone) keeps getting compared to this, the only thing they have in common is the pairing of a Gyaru and and straight laced guy. Suzuki has liked this guy for a while and goes after him. This guy picks up on her advances. Both of them are pretty awkward. In MDUD the awkward guy, Gojo, is completely clueless because he can't even imagine a girl like Marin (who is the complete opposite of awkward) would be interested in him, and assumes her interest is completely limited to how he can help with her hobby of cosplaying, which it is. This is where the English title really influences how people perceive this show "My Dress Up Darling" implies she is a play object for HIM, and he gets to use her, which is 100% not true. The literal Japanese title is "The Bisque Doll Falls in Love", which gives a much better idea what the show is about, it's about Marin (the "doll", because she is a model and a cosplayer) slowly discovering she is in love with Gojo. She is the one using him (I realize "use" is a strong word and not really representative of the actual situation) for his skills for her selfish wants. Though him being a genuine person who is just happy to share his skills and help someone never makes it feel like he is being used. Marin being a genuine person, and not some skank using her body to seduce a nerd (when that is how this would appear to anyone just looking at on the surface level)is what makes her so appealing, it never feels like she is taking advantage of his kindness. This is written by a female author. Did she include a bunch of fanservice? Yep. But did she also write good characters who aren't just superficial? Yep. They are on 2 seasons of still not hooking up, these 2 for this show did it in one episode. |
MenchiK1Jan 16, 10:19 AM
| Episode 2 "I'm gonna be King of the Girlfriends!", says Suzuki. And once again, Suzuki's antics are quite hilarious as she overthinks just about everything. They go on their first date, eating a burger and then watching a movie. While the movie wasn't exactly great, their time together sure was. |
| Holy cow that's a lot of visual elements for a show these days. "Going to pick flowers" is an old euphemism for heading to the restroom. She said literally, "I'm going to cut the grass/weeds," but that's not especially any less loaded than "going to trim the hedges". Though neither are set euphemisms in Japanese, as far as I know. |
| Bwahaha oh man the pic at the end, I haven't laughed that hard in a while. The whole episode was great. Thank goodness, no letdown from ep 1. This is already the best romcom I have seen in years. |
Reply to marklebid
Holy cow that's a lot of visual elements for a show these days.
"Going to pick flowers" is an old euphemism for heading to the restroom. She said literally, "I'm going to cut the grass/weeds," but that's not especially any less loaded than "going to trim the hedges". Though neither are set euphemisms in Japanese, as far as I know.
"Going to pick flowers" is an old euphemism for heading to the restroom. She said literally, "I'm going to cut the grass/weeds," but that's not especially any less loaded than "going to trim the hedges". Though neither are set euphemisms in Japanese, as far as I know.
| @marklebid That was funny too, the whole thing was comedy gold. His "Goodle" search history and him running away lol |
| As expected, it was gonna start focusing on the dating aspect after the first episode immediately dealt with the misunderstanding aspect. Nothing to complain though-- it's still fun as heck! Direction and production value really makes their usual Rom-Com antics feel a bit different and more entertaining. |
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| Episode 3 There is no love triangle, Suzuki. Taira is just trying to be friends and nothing more. And Suzuki and Tani continue to be a quirky couple there as Suzuki calls Tani adorable, which is not exactly something he thinks about himself. That was some crazy dream there when his cat ends up on his face. Tani is pretty serious about his work as a librarian, and seeing her there is rather unsettling seeing that this is supposed to be a quiet place. And then Tani pops the question to her about what it means to be adorable, and he says that straight to her face. And then Taira tells Suzuki that Suzuki loves Tani because Tani doesn't change for others. Suzuki's mind works in mysterious ways. |
| This is really adorable! Looks like the show really does still have more to offer despite the MCs already dating. I like the addition of the side characters' POVs. They still get to tackle the issues of social image, "being true to oneself", and communication skills, outside of the MCs-- it helps avoid redundancy. I'm liking this a lot. |
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| A 'high school debut' is when after middle school, someone who wasn't considered popular will try to get in shape and care about their appearance more to try and 'start over' with a new group of people and present themselves more positively. From the thought bubble, Taira lost some weight and dyed his hair. |
| "Kawaii" ;P The next level philosophizing of the characters is so good on this show, it's going to ruin romcoms for me. Taira's take (not him himself) is way too relatable. |
MenchiK1Jan 25, 10:03 AM
| Man, the side characters are really helping make this show stand out. I'm hoping (and expecting) some secondary romances among them. |
| Episode 4 It's time to study up with exams coming and the dreaded summer classes for those who fail. And once again, the characters are approaching them in different ways. Then a convenience store opens up near Suzuki's home and she decides to go get some snacks and stuff there. It turns out that Taira is a part-time worker there even though he lives quite far away, and Yamada and Watanabe both had the same idea. And Tani is also there, which causes Suzuki to try and run away, but Tani is on a bike and nothing escapes his attention. And then summer festival goodness. Great stuff once again as this show is becoming more than just the OTP that was established at the beginning. |
| No LOL moments this week but still lots of cute fun stuff. Her blonde dumb guy friend is a real playa ain't he hanging out in a study group with all girls. I felt bad for the girl Tani works with in the library she looked like she wanted to join in but just had to laugh to herself. Is this how Japan schools work? There are just a couple smart kids and all the dumb ones just copy their homework? It was pretty funny but at the same time I am glad they put the arrow with the identification at the start of the scene with her at home in her casual wear because I didn't recognize her at first either. lol |
| The girl on the motorbike said on this road you 'can become the wind', which means driving fast. Which is why they said she was the most likely to get caught by the police. According to the bulletin board and the signs, they were in Ko-neko Machi. Kitten Town. |
MenchiK1 said: I felt bad for the girl Tani works with in the library she looked like she wanted to join in but just had to laugh to herself. That seemed like they want to include her in the show. I kind of expect either she has a crush on Tani or the blonde guy |
| So when is she going to realize she lost her hair thingy? |
| Cursive is the future. - Nate Bargatze |
| It seemed like it was just a rubberband style thing, probably not an issue. Though I'm not sure why it was included at all. |
| Episode 5 Here comes Nishi, a fellow librarian who works alongside Tani. She's a quiet person who feels at home in the library, but after seeing Suzuki drop by considering she's not the kind of person who would want to make regular visits there that she's thinking about turning it up. And with that, school is out for summer break, but the principal makes it clear that the learning doesn't stop. Then Tani and Suzuki head to the library to do their summer homework, but the place is crowded. So needing a quiet place, they head over to Tani's grandmother's house where they study and do other things, and then grandma comes home seeing the two in a compromised position there. And Tani lets her know who Suzuki is, his girlfriend. Great introduction to Nishi there as she's being dragged into this craziness, but she comes to enjoy it, all while Suzuki continues to be wild as usual. |
| Oh good the library girl Nishi got to talk, even if it is with the idiot. I'm so glad they didn't Scooby-Doo these characters and Suzuki wears different outfits outside of school, she always looks so much cuter. Best part was her mom and his grandma after they find out they are dating. (after Nishi's friend sucking her lips in lol) |
MenchiK1Feb 8, 11:13 AM
| Episode 6 It's time for the school festival, and the class is doing a cafe. The first day is just for students and their families. And then the second day it's open to all visitors, and among them is Rihito, who is Suzuki's ex-boyfriend from middle school. Even though they broke up, they are still on friendly terms with each other, so it's all well and good. And then Suzuki and Tani further cement their relationship there. This episode wasn't as funny as the previous ones, but it does a great job focusing on the romance there seeing that at some point it will have to really focus on that, and this episode does a great job at that. |
| She looks really good with the black hair. |
| Cursive is the future. - Nate Bargatze |
| They didn't have given names in the credits until this episode. |
| First episode I didn't really like. Creating a previous "boyfriend" when Tani is her first boyfriend just to have Tani have jealousy drama. Up until now this show had a pretty unique take on dating tropes, disappointed it didn't this time. Besides I really wanted to see what happened with Yamada and Nishi. I imagine they locked the door and went at each other like animals LOL |
| More side characters? More fun! But even with stacked side character entertainment, the MCs are definitely not being neglected. And here I thought there wasn't much they could do with Tani anymore. Good stuff! I wonder if the ex-bf is gonna stay around-- he might mix well with the characters' dynamic. zkeleton said: She really does. Even Yamada looked like he could be an MC of his own Rom-Com with his natural hair.She looks really good with the black hair. |
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