𝙏𝙝𝙚 𝙛𝙞𝙧𝙨𝙩 𝙨𝙚𝙧𝙞𝙚𝙨' 𝙩𝙝𝙖𝙩 𝙞𝙣𝙩𝙧𝙤𝙙𝙪𝙘𝙚𝙙 𝙢𝙚 𝙩𝙤 𝙖𝙣𝙞𝙢𝙚:
Death Note
Demon Slayer
Sword Art Online
Black Butler
Tokyo Ghoul
𝙄 𝙬𝙞𝙨𝙝 𝙄 𝙘𝙤𝙪𝙡𝙙 𝙚𝙭𝙥𝙚𝙧𝙞𝙚𝙣𝙘𝙚 𝙖𝙜𝙖𝙞𝙣 𝙛𝙤𝙧 𝙩𝙝𝙚 𝙛𝙞𝙧𝙨𝙩 𝙩𝙞𝙢𝙚:
Naruto
Fruits Basket
Fairy Tail
Link Click
𝙄'𝙡𝙡 𝙙𝙞𝙚 𝙤𝙣 𝙩𝙝𝙞𝙨 𝙝𝙞𝙡𝙡 𝙙𝙚𝙛𝙚𝙣𝙙𝙞𝙣𝙜 𝙩𝙤 𝙩𝙝𝙚 𝙙𝙚𝙖𝙩𝙝:
Sword Art Online
Fairy Tail
Redo of Healer
𝚁𝙰𝚃𝙸𝙽𝙶𝚂
scored mostly on enjoyment, but plot, chars, world, quality, etc all considered
𝙳𝚄𝙱𝚂>𝚂𝚄𝙱𝚂
prefer English dubs for many reasons, mostly it's easier to understand but I watch subs too
𝙵𝙰𝚅𝙾𝚁𝙸𝚃𝙴𝚂
titles / franchises chosen as a whole, not by individual seasons, ovas or movies, etc.
"Maybe I wanted to know if I could create something with my own hands.
If there could be something that couldn't exist without me."
- Ayame Souma (Fruits Basket)
"If you are feeling disheartened, that you are somehow not enough, set your heart ablaze.
Dry your eyes and look ahead... the flow of time waits for no one."
- Kyojuro Rengoku (Demon Slayer)
"A man chooses. A slave obeys."
- Andrew Ryan (Bioshock)
One Punch Man 3 –
In terms of story, I have high expectations for this season of the anime. Even without knowing exactly how far the adaptation will go, if it reaches the point I hope for, it promises to be by far the best season in this regard. Another very positive point, which already brings a huge smile to my face, is the involvement of the band BABYMETAL in the staff. However, despite these encouraging aspects, the studio in charge remains the same, and technically, the second season left much to be desired. At least there is still no information about who will be the director, which keeps me hopeful.
Spy x Family Season 3 –
Although it is called the third season, it could be considered the fourth, since the first season was split into two parts. I really like this franchise and found the anime’s initial concept quite refreshing compared to what had been released before. However, in this new season, the idea no longer feels as innovative. Even though I loved the second season (which, for me, even surpassed the second part of the first), I feel myself starting to get tired. I believe that if the story progresses at a faster pace, with some time skips and truly impactful events, I could get excited again as much as before, or even more. Another aspect I would appreciate is seeing the writing adopt a slightly more mature tone while remaining more believable.
Boku no Hero Academia: Final Season –
Another season, and once again I note that this is not my type of anime, as I dropped it during the first episode of the first season. That said, even among fans, the franchise has been accumulating disappointments for several seasons. For those who haven’t been frustrated yet, it is likely to happen now, as the manga’s ending was extremely controversial. The negative reception was so strong that an alternate ending was produced, but even so, it still left much to be desired for a large part of the audience.
Fumetsu no Anata e Season 3 –
Everything the author of this work creates carries what we can call true art, always subtly conveying profound, reflective, and intensely emotional messages, qualities typical of a masterpiece. I am a devoted fan of this anime, but this season moves beyond the point where I followed the manga continuously. Therefore, my expectations, although positive, are not yet fully formed. There is some apprehension, as the little I have read, in scattered chapters of the part that will be adapted, did not please me that much. Even so, I sincerely hope this impression is mistaken, because I love this franchise too much.
Regarding the production, the director and studio remain the same as in the second season, which, in my view, truly shined from the middle onward (especially since the manga’s story in this segment is so sublime that it would favor any adaptation). However, the first part of the season suffered from a rushed adaptation, wasting the potential of extremely important dramatic scenes. Perhaps that is why most consider the first season superior. I, however, see more value in the second, precisely because in that part it would have been impossible even for this direction to compromise the work’s grandeur.
Tomodachi no Imouto ga Ore ni dake Uzai –
I don’t quite understand the reasons why this is considered one of the most anticipated anime of the upcoming season. Perhaps part of the explanation lies in the fact that the titles below it do not seem as promising, or because the romance genre of this work still has high demand and little supply this season. It could also be the merit of the promotional material, which features eye-catching scenes and charismatic characters, besides making the anime appear technically well-produced.
That said, there are several points of concern. The manga and light novel are not highly rated, the studio in charge is small, and the director, although experienced, has built his career mainly directing individual episodes rather than entire seasons. His most notable work as chief director is Kanojo, Okarishimasu, which, admittedly, despite some successes, failed to fully explore the manga’s true potential and even introduced deeply regrettable cuts and changes.
Furthermore, the premise revolves around a love triangle, a formula already repeated in countless works. And although the characters have some charisma, they are essentially constructed from stereotypes widely spread in the genre, which, for many, can feel tiresome.
Tondemo Skill de Isekai Hourou Meshi 2 –
Second season of an anime with average production and a generic premise. It is somewhat surprising to see it among the most anticipated; this is probably due to the success of its predecessor, which, although poorly rated and equally generic, achieved good audience numbers and a significant MAL member base. Regarding the work’s concept, it is a comedy that mixes isekai, slime, and food. More than that, it functions as a reinterpretation of other well-known anime in a more comedic format.
Saigo ni Hitotsu dake Onegai shitemo Yoroshii deshou ka –
A revenge anime starring a woman who has been abandoned, wronged, and ridiculed. If the premise focused solely on this aspect, we would have something simple but with great potential. The problem is that the protagonist decides to carry out her revenge literally by punching, which makes the premise caricatured and unrealistic.
Watching the trailer, I also noticed that, technically, there is nothing to suggest above-average quality. To top it off, in the first few seconds I felt a strong sense of sympathy, but soon after, it was followed by a mix of disappointment and secondhand embarrassment.
Ranma ½ (2024) 2nd Season –
I haven’t watched the first season, nor the acclaimed 1989 version with its 161 episodes, and I haven’t even read the manga. Therefore, I don’t consider myself the most qualified person to comment on this anime. Still, if I had followed the first season, I would most likely continue with the second, mainly due to the weight the name Ranma ½ carries within the otaku community, being regarded as a true classic. Moreover, I see a lot of potential in its comedy premise, provided it is well developed.
Nageki no Bourei wa Intai Shitai Part 2 –
I tried watching the trailer, but ended up falling asleep, and I don’t intend to risk a second attempt. I then turned to the synopsis, but also fell asleep on the first try (at least on the second attempt, I managed to finish reading). The manga is not well rated, the first season of the anime also didn’t stand out, and in my view, the biggest problem is that everything feels excessively generic. Perhaps the only minimally distinctive feature is the premise of a protagonist who, despite being weak, continues to hold the position of group leader.
3-nen Z-gumi Ginpachi-sensei –
A spin-off of Gintama. Do I need to repeat? It’s Gintama. No introduction needed. From the trailer, the premise seems to be a mix of Gintama, Great Teacher Onizuka, and Cromartie High School. Honestly, I believe it will be hilarious, but I have my doubts about how much it can attract those who haven’t watched the main work in its entirety, even if it is “just” a spin-off.
Kekkon Yubiwa Monogatari II –
Another sequel this season, another sequel of a generic isekai anime, with average production and poorly rated on MAL, whose first season I didn’t follow. For those who don’t remember, it’s that cringe-worthy anime in which the protagonist has to form a harem by marrying five princesses to gain powers. If it were just outrageous, it might even offer a hilarious premise, but in the end, it’s just another generic isekai, on top of that produced by the same studio and director.
Watashi wo Tabetai, Hitodenashi –
A lesbian mermaid on a quest to devour a high school girl. LOL… No way! If the lewd content were actually over the top, I could even understand someone choosing to watch it, but I highly doubt it. It will probably just boil down to the mermaid constantly saying she wants to “eat” the high school girl. LOL… What a mess!
Ansatsusha de Aru Ore no Status ga Yuusha yori mo Akiraka ni Tsuyoi no da ga –
Let’s get straight to the problems: both the manga and the novel are poorly rated, and the premise of the work is basically just another action-adventure-fantasy isekai. From the trailer, the animation works very well at times, but in other moments it resorts to CGI that drags down the overall result, leaving it just above average. I know I can’t expect every production to reach Ufotable’s level, but it’s still frustrating.
On the other hand, there is good attention to character and environment design. I really liked the music and the vibe of the first half of the trailer. Additionally, I admit I have a certain fondness for dark-toned overpower protagonists, and works that follow this formula usually attract a significant audience. Therefore, I don’t think this anime will be a game-changer, but I bet it will end up among the most popular of the season.
Sanda –
A production by the studio Science SARU, known for taking on more cult, experimental, and out-of-the-box projects, such as Devilman Crybaby, Dandadan, Inu-Ō, Heike Monogatari, and Eizouken. Even before realizing it was by SARU, the first association that came to mind while watching the trailer was precisely Dandadan.
I would say that Sanda follows a similar path, blending mystery, action, and surreal elements, but without the same intensity of bizarreness. Therefore, since I don’t believe it will reach the level of madness of Dandadan, the consequence is likely that it won’t have the same impact in terms of popularity. Additionally, I wasn’t pleased with some of the character designs.
Personally, Japanese mysteries don’t appeal to me, so I probably won’t follow it. However, for those who enjoy this type of narrative, which mixes suspense, action, and a touch of school shounen, it could be an interesting work to keep an eye on.
Himekishi wa Barbaroi no Yome –
This is a romantic comedy set in a medieval fantasy world. This type of premise has already had its peak, and although it doesn’t generate the same enthusiasm as before, it usually doesn’t deliver anything disastrous. One point in its favor is the small number of characters, which, in this format, can be positive, as it tends to focus on the protagonists and the dynamics of the romantic comedy.
Watching the trailer, I found the characters likable, especially the female protagonist. However, I have some reservations: the studio is small, the original manga isn’t very highly rated, and it remains to be seen whether they will be able to balance humor and romance well, which is essential for the success of the work.
Kakuriyo no Yadomeshi Ni –
This is the second season, with the first having been released in 2018. Getting a continuation after seven years is remarkable, especially considering that the first season was not very successful. This highlights the scarcity of new material in the anime industry.
As for the studio, it is a good studio that delivers competent productions. Therefore, the trailer of this anime suggests that the work is well produced, despite the director being quite inexperienced. With that in mind, I don’t know exactly what to expect from this season, but I don’t intend to follow it, since I haven’t watched the first season and I’m not a big fan of the supernatural theme involving anthropomorphisms and gourmet elements.
Bukiyou na Senpai –
A romantic comedy with adult characters, set in adult contexts and dealing with situations typical of this stage of life. In theory, it is an anime aimed at an adult audience, but from my experience with works of this type, I suspect it won’t be that mature. From the trailer, I believe the comedy will be limited to some comic relief, while the narrative will focus more on the challenges of adult life, such as work, to develop the plot and drive the romance between the protagonists. This work could turn out to be interesting, but its enjoyment will probably depend more on the viewer’s mood at the moment than on the demographic the anime targets.
Kingdom 6th Season –
Sixth season. I’ve already written texts about the previous seasons, but I’ve never watched any of them. This makes me tired of talking about the franchise, so I won’t go into critiques or descriptions, as probably only those who followed the previous five seasons will be interested in this continuation.
Uma Musume: Cinderella Gray Part 2 –
This isn’t the first anime we’ve seen featuring little girls who are part human, part animal, competing on tracks as if they were racehorses. Personally, I’m not interested in this type of work, so I don’t intend to watch it. Still, I can note that the first part received great reviews and seems well produced. Additionally, it is an anime aimed at an adult audience, which can allow for more complex writing and plots. Finally, this work has become one of Rodrigo’s favorites, which alone justifies giving at least some consideration to watching it.
Chitose-kun wa Ramune Bin no Naka –
I hope this trailer isn’t deceiving me and that the work stays at this level, because everything looks so beautiful, detailed, fluid, and well-animated, which won me over.
The work is a school romantic comedy, with an attractive protagonist who will likely win over some interesting girls. It’s not an innovative premise, and the anime seems well aimed at a teenage audience. Additionally, it is being produced by a studio specialized in this type of work. Therefore, I conclude that it will be very successful among its target audience, but unless there is some unique element I’m not yet aware of, it probably won’t stand out beyond that.
Wandance –
I admit that, like most people, I’m usually cautious about anime involving dance and music. However, some good ones always appear, and this might be one of them. What caught my attention the most is the issue of the protagonist being a stutterer, an element that certainly enriches the content, provokes reflection, and can lead to good dramatic moments.
The studio in charge is Madhouse, which has shown a return to the form that made it renowned, as we saw in Sousou no Frieren. I also liked some of the character designs and parts of the trailer. Additionally, the original manga has relatively positive ratings, which raises expectations around the adaptation.
Akujiki Reijou to Kyouketsu Koushaku –
Another gourmet anime, another one based on eating monster meat. In Shokugeki no Souma, the gourmet aspect works because the dishes are real, prepared with real ingredients, and, besides that, the work offers much more than just the culinary element. In Dungeon Meshi, although the ingredients are monsters, let’s be honest, almost no one watches it for that detail: it’s just a device to create plot challenges. What really attracts the audience there is the adventure, the action, and the drama.
Chichi wa Eiyuu, Haha wa Seirei, Musume no Watashi wa Tenseisha –
The premise features a little girl with magical powers over the elements of the periodic table, who is also the reincarnation of a scientist from the real world in a fantasy world. The problem is that there is nothing there suggesting an intriguing conflict or even a hook capable of sparking interest. What really stands out are recycled clichés and creative choices that are, at the very least, questionable in taste.
Mushoku no Eiyuu: Betsu ni Skill Nanka Iranakatta n da ga –
The story takes place in a fantasy world where a boy, the son of someone important, apparently is born without talents, but deep down possesses great power and, therefore, doesn’t receive a skill class. In short, it’s another variation of the overused story of the hero with hidden talent that will inevitably awaken. The question is: what else can this work offer beyond this beaten cliché? So far, everything points to a poor and unappealing narrative.
Sekai Munchkin: HP1 no Mama de Saikyou Saisoku Dungeon Kouryaku –
The premise is interesting, with a very satisfying introduction, but to get straight to the point, it is a survival story in which a pair of siblings must traverse a dungeon with only one HP point. Based on the premise alone, I would place high hopes on this anime. However, there are some warning signs: it is the first anime produced by this studio, and the original manga is not highly rated, raising doubts about the quality of the story development and the studio’s ability to deliver something consistent.
Yasei no Last Boss ga Arawareta! –
The story follows the protagonist, who has been reincarnated or transported into the body of the antagonist from another fantasy world, which is no longer a game. The central theme is a role reversal, where the classic villain or antagonist becomes the protagonist. The premise itself isn’t bad, but it lacks elements that make the narrative more engaging and impactful. Watching the trailer, some character designs seemed generic or odd to me, while the graphics, overall, appear average and ordinary. The soundtrack also doesn’t stand out, maintaining a generic and unmemorable tone.
Ao no Orchestra 2nd Season –
There are anime that explore musical themes and become true masterpieces, but in general, I’m not very fond of this type of approach and I don’t tolerate just any production. Furthermore, there are countless examples of works in this genre that are bad, which increases my skepticism. This is the second season, keeping the same studio and director, and the first season was a failure both in audience reception and ratings. Therefore, I have even more reasons to be doubtful. Expecting something different while repeating the same formula doesn’t seem like a wise decision.
Tensei Akujo no Kuro Rekishi –
Finally, a typical shoujo this season. The story revolves around the protagonist, who reincarnates as the villainess of the stories she used to write. At least this time, it’s not a game she used to play. I’ve watched a few shoujo series and liked several of them, but I must admit I’m not the target audience for this type of work, and I’m not fond of reverse harems. That said, I watched the trailer, and everything looked very cute and romantic, the kind of work that, if I were a girl, I would probably enjoy, despite being produced by the infamous studio Deen.
Shinjiteita Nakama-tachi ni Masmorra Okuchi de Korosarekaketa ga Presente "Mugen Gacha" de Nível 9999 no Nakama-tachi wo Te ni Irete Moto Membro do Grupo para Sekai ni Fukushuu & "Zamaa!" Shimasu! –
A revenge anime in which the protagonist is expelled from his guild and betrayed by his former companions, but manages to escape and falls into the most dangerous dungeon in the kingdom. With the help of his Unlimited Gacha magic skill, he randomly summons level 9999 fighters. Three years later, he has built a kingdom within the dungeon and now plans to take revenge on his betrayers.
Revenge-themed stories always resonate with me, and I enjoy an overpower hero, especially when surrounded by powerful and attractive girls. The downside is that the original manga doesn’t have very good ratings. Still, it’s an anime worth betting on; even if it doesn’t become a masterpiece, it will hardly disappoint those who decide to watch it.
Yano-kun no Futsuu no Hibi –
A high school romance set in a high school. The central conflict revolves around the male protagonist, who is clumsy and accident-prone, and the female protagonist, who wants to help him. The work is reminiscent of Shikimori-san, but differs in the characters’ ages, graphics, and realism: in Shikimori-san, the protagonist has extraordinary strength to protect and assist her partner.
My impression is that this anime might suffer from the same problem as Shikimori-san, which is having a premise too simple to sustain a plot over multiple episodes. In the case of Yano-kun no Futsuu no Hibi, since there is no heroine with extraordinary abilities, the narrative potential seems even more limited.
Kao ni Denai Kashiwada-san to Kao ni Deru Oota-kun –
Another high school romance. The central premise revolves around the contrast between the male protagonist’s excessive facial and bodily expressions and the female protagonist’s complete lack of expressiveness. This contrast creates a subtle bond between the two, giving rise to the romance. Personally, I am skeptical that this single element can sustain an interesting narrative throughout an entire season. Additionally, it is the studio’s second anime.
Kimi to Koete Koi ni Naru –
One thing that really makes me uncomfortable in anime is romance between anthropomorphic beings and humans. I understand that there may be a metaphorical intention behind these appearances, but, in the end, it still represents zoophilia, which I find problematic and unacceptable. Sickening!
Mikata ga Yowasugite Hojo Mahou ni Tesshiteita Kyuutei Mahoushi, Tsuihou sarete Saikyou wo Mezashimasu –
A hero rejected for being considered weak finds a new chance by joining another group, aiming to become stronger and prove his true worth. The unique aspect of this work is that the protagonist was never truly weak; it was his former companions who were. He always focused on support magic, strengthening others instead of shining alone. It’s true that the premise carries many elements already heavily explored in the genre, but there are nuances that can make the work interesting and justify its appreciation by some viewers.
Sozai Saishuka no Isekai Ryokouki –
A fantasy isekai focused on exploration and gathering rare items and valuable resources, including certain exotic foods treated almost like treasures. The action here is minimal, if not entirely absent. To be frank, I consider the premise limited and emotionally low-impact, without significant appeal to sustain a truly engaging plot.
Kikaijikake no Marie –
The story follows the interactions between Arthur, a wealthy heir skeptical of humans, and Marie Evans, a former martial arts prodigy who, in debt, accepts a job as a servant hired by Arthur’s butler, pretending to be a robot. The work draws on some classic elements, but I have to admit there is a certain originality in this romance, which is precisely what I value most. It doesn’t need to be entirely original: it can use clichés and generic devices, as long as it knows how to mix them and bring some relevant innovations.
Taiyou yori mo Mabushii Hoshi –
A school shoujo about the unpopular girl who falls in love with the most popular, kind, and soccer-playing boy at school. But what does this really offer that is unusual compared to real life? Don’t girls find guys like this attractive all the time? Frankly, I see nothing extraordinary, and the ordinary is uninteresting. Perhaps the only appeal is serving as escapism for those who dream of experiencing this type of idealized romance, even if only in fiction.
Towa no Yuugure –
The story takes place in a post-apocalyptic world, in ruins and governed by the OWEL organization. After awakening from a long cryogenic sleep, the protagonist encounters an extremely powerful girl who resembles his former girlfriend. The plot develops as he agrees to travel with this newly met girl while searching for signs of his old love. From the trailer, it’s clear that the anime is well-produced, with visually impressive action scenes and a consistent dramatic tone, addressing reflective dilemmas. Among them, questions arise about the true meaning of emotional bonds and traditional marriage, which in this world has been replaced by the "Elsie" system. The work thus presents solid content for an engaging plot and elements capable of holding the audience’s attention.
Chanto Suenai Kyuuketsuki-chan –
A school romance in which the protagonist helps his love interest, a vampire classmate, learn how to suck blood properly. LOL… Major dilemma!
Egao no Taenai Shokuba desu –
An anime from a new studio that explores the life of a beginner shoujo manga artist. Interestingly, the anime is directed by a woman and features an entirely female cast: the editor, the assistant, and the mangaka herself. It sounds ironic, perhaps autobiographical, and certainly timely. If I were an industry-award critic, I would probably rate it well, since critics often sympathize with works that depict the industry itself. But I’m not that kind of critic, and my experience with anime about the manga industry has never been the best.
The trailer doesn’t help either: mediocre, generic, and identical to twenty others I’ve seen this season. It feels like they all come from the same "Ctrl+C/Ctrl+V" factory. I do enjoy something more mature that engages with otaku culture, but the biggest problem here is the lack of a clear plot. The premise seems to be just someone talking about their own work and trying to extract comedy from it.
Sawaranaide Kotesashi-kun –
From the cover, it looks like a sports anime, but the sport is only a secondary detail. In the first few seconds of the trailer, I got the impression of a Sono Bisque Doll of sports. However, by the end, it became clear: this is a harem that almost turned into hentai.
It’s not just an anime with ecchi elements; the central premise is ecchi. The plot revolves around a masseur for beautiful athlete girls who reach orgasm during sessions. On top of that, he’s also the dormitory administrator, responsible for their physical and psychological well-being. LOL… It’s like putting a fox in charge of the henhouse.
Shuumatsu Touring –
A possible translation of the title would be “Riding a Motorcycle at the End of the World.” The anime tries to convey a positive atmosphere, a certain high-spirited feeling in the face of the apocalypse. It’s almost like offering a prisoner about to be executed the right to one last cigarette.
It’s a seinen with a deep, reflective, serious, and impactful narrative. However, for me, it’s difficult to face a work whose premise is perhaps showing the last surviving people of Japan traveling by motorcycle through a ruined world and still having fun, as if saying goodbye. For those willing to reflect, the experience becomes very heavy, and paradoxically, the attempt to provide an optimistic perspective only reinforces this weight, making everything even more melancholic.
Gnosia –
Watching the trailer, the first thing I thought was: this is amazing. Visually well-produced, with an atmosphere reminiscent of cyberpunk. I immediately checked who was behind it and, to my delight, it was Aniplex. It makes sense, as this work follows exactly the line that the studio used to bet on and that made it successful: large-scale science fiction productions.
The plot takes place inside a spaceship where, among the crew, there is an alien disguised as a human trying to eliminate the others. The result is an atmosphere of absolute paranoia, where everyone distrusts everyone else and every decision could be the last. In certain aspects, it resembles Alien: The Eighth Passenger. In short, it’s well-produced suspense, tense, with science fiction and a survival game element.
Toujima Tanzaburou wa Kamen Rider ni Naritai –
This anime is clearly aimed at a very niche audience, but it promises a strong emotional appeal for those who fit into it. The main target is older men, around 40 years or older. Not only because the protagonist is that age and is pursuing a childhood dream, but also because his fantasy is to become a Kamen Rider.
The work delves into the Super Sentai universe, a genre that is still alive in Japan today but whose global peak occurred between the 1980s and early 1990s. It is precisely for this nostalgic audience, who grew up during that period, that the anime is intended, offering a dose of nostalgia wrapped in heroic fantasy.
Let's Play: Quest-darake no My Life –
A romantic comedy aimed at gamers, but with a slightly different approach than usual. The protagonist is a game developer about to achieve her dream with the release of her first video game. Everything seems to be going well until a famous streamer harshly criticizes her game. To make matters worse, she discovers that the problematic critic is now her new neighbor, blending romance, comedy, social anxiety, and professional conflicts in a fun way.
Debu to Love to Ayamachi to! –
An anime about a fat girl considered unattractive who falls in love with someone extremely handsome. Although it likely has comedic moments, I don’t like the work, mainly because of the message it conveys. It suggests that simply having self-confidence, accepting oneself, and feeling beautiful is enough for the world to accept you and offer everything you want, without any real effort, just by changing self-perception. In practice, this is misleading and not very useful: obesity is not just an aesthetic issue but also a health concern. I dislike that this kind of illusion is sold, even within a fantasy.
Shabake –
I enjoy anime set in historical periods of Japan. What I usually don’t like is when the supernatural element becomes the central focus of the work. In this case, the premise is even more peculiar: the protagonist is guided, protected, and assisted by demons to solve murder cases, in a sort of Japanese version of Sherlock Holmes.
Ninja to Gokudou –
An anime from Studio Deen, which already raises some concern just hearing the name Deen, worsened by the fact that the director is the same as Tokyo Ghoul:re. The main premise revolves around a war between ninjas and yakuza, unexpectedly disrupted by a bromance between a member of each group. Honestly, I can’t see anything truly interesting in a plot that seems to boil down to this bromance.
Potion, Wagami wo Tasukeru –
An isekai where the protagonist discovers a book that grants him a special power: by saying the word “create,” he can produce potions. Essentially, the entire premise revolves around creating potions while he tries to find a way back to Japan. Honestly, can someone explain to me what’s actually interesting about this?
Nohara Hiroshi: Hiru Meshi no Ryuugi –
A gourmet comedy centered on a salaryman and the typical daily activities of his routine. Can anyone find any motivation to watch this? Neither can I.
Hyakushou Kizoku 3rd Season –
A comedy anime with a very simple production and episodes of only 4 minutes. I don’t know exactly what the plot is; all I know is that it involves some cows and it’s already in its third season. Therefore, I don’t plan to watch it; I would only do so if I still watched TV and caught it airing between programs.
SI-VIS: The Sound of Heroes –
Musical anime always raise suspicion of actually being advertisements for bands or songs disguised as anime. At least the synopsis claims that the protagonists are disguised heroes, but I’d say it’s probably the opposite. KKKKKK… In the end, I didn’t find anything truly interesting about this work.
Kagaku x Bouken Survival! 2nd Season –
On MyAnimeList there is no synopsis available, neither for this season, the first, nor the special. Only in one of the two movies do we find a brief one-line description. This is, in fact, an educational anime, with no concern for offering an engaging narrative, subtle messages, or elaborate writing. The goal here is not entertainment, but teaching in the bluntest way possible, without any other commitment. Boring!
Ganglio –
The story follows a low-ranking soldier serving the Ganglion corporation (basically one of Rita’s henchmen from Power Rangers), whose mission is to assist in plans for world domination. Following the routine of a “low-level soldier” doesn’t seem exciting at first glance. However, the work tries to gain relevance by exploring dilemmas of ambiguous morality, such as the choice between corporate loyalty and justice, as well as touching on themes of authoritarian control, drama, action, and a hint of science fiction. The problem is that this is the studio’s first anime, and so far there isn’t even a trailer available.
Monster Strike: Deadverse Reloaded –
It is perfectly possible to insert a game advertisement into an anime or adapt a game to this format and still deliver something that works, sometimes even something very good. However, that does not seem to be the case here. Monster Strike feels more like a poorly disguised advertisement than a real anime.
Shibuya♡Hachi Part 4 –
A two-minute-per-episode anime; I’d rather refrain from commenting.
Muzik Tiger In the Forest 2nd Season –
A one-minute-per-episode anime; I prefer to refrain from commenting.
Jochum Season 2 –
Also a one-minute-per-episode anime; I prefer to refrain from commenting.
Chikyuu no Latair –
There is no clear information about the episode lengths, but it is likely five episodes of one to two minutes each. Given that, I also refrain from commenting.
Alma-chan wa Kazoku ni Naritai –
The story revolves around an android who wants to understand humanity, form bonds, and understand the relationship of the couple who took her in. This plot could work well as a subtheme within a larger story, but on its own, it feels limited. Sustaining an entire season solely on this tends to be tedious. Moreover, the trailer doesn’t help: the robot’s design is awkward, generic, and lifeless—the opposite of what you would expect from a “robot with a soul.”
Hi there! The quote "Reality is boring, so I live between frames and pixels" is something I wrote myself. It's my way of expressing how much I enjoy anime and games – sometimes the digital worlds feel more exciting than real life! :)
Hii... again. I changed my settings for my messages. If you do reply to mine, I'd copy and paste your reply just in case. I'd hate to lose a reply I tried to send. 😅
All Comments (472) Comments
Of course, thank you very much!
I wait for the second season, hope for the complete manga adaptation!!
I don't think i AM that interesting lmao
Nice to meet you !!!
Have a lovely day :)