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I bought a rough-sketch art book for HELLSING last year. Well, the fact that there isn’t a single truly normal character is fine in its own way. Aizen may be a villain, but he also plays the role of an expositor, so he doesn’t really feel like a “perfect” villain. I really wish The Dawn would be published as a collected volume. Also, there isn’t a collector’s edition available over here.

As for this year, at least for now there aren’t any live concerts that I’m dying to go to, so I haven’t applied for tickets or secured any yet.

Hakone feels like it has poor visibility all year round. Because it’s at a high elevation, when I was actually there, I didn’t feel like it had that “a kaiju might appear” atmosphere after all.

The total was 1.8 million yen. Even I think that’s cheap. If it were today, I think there’d probably be another zero added—so about 18 million yen.
You wrote that you heard the entire series’ animation cels were auctioned off some time ago, but that’s probably not true. If that had really been profitable, Gainax wouldn’t have officially gone out of business just last month. Even official Gainax produced reproduction cels, and right now, original cels from really iconic scenes are being displayed at Evangelion exhibitions, so I don’t think that many have leaked outside. Director Anno himself is someone who takes good care of his belongings—he’s not the type to throw away cels or materials. On top of that, individuals can make cels that closely resemble real ones, and those do circulate on the market, so if you can’t tell the difference between real and fake, I wouldn’t recommend buying animation cels. Also, since exhibitions displaying actual cels are currently being held, it’s unfortunately impossible for a single person to own an entire episode.

As for the OVA announced a few days ago, it’s for an anniversary event in February, so people who aren’t attending the event will probably have to wait several months before they can see it.

I don’t think people in the future will know Captain Tsubasa. Soccer anime and manga go through trends. Inazuma Eleven lost its popularity a long time ago too, so I don’t think it will surprisingly survive into the future either.

There are only about two Evangelion revival screenings left, but I’m still undecided about whether to go, so I might skip them.

Evangelion is a work that even Director Anno himself never expected to make again. I think it’s a series whose impression changes as you get older, and no matter how many times you watch it, you always discover something new. Also, I don’t think deadlines are the real enemy for people working in the anime industry. Director Anno didn’t actually keep deadlines, and Hayao Miyazaki makes things at his own pace too. Ufotable has several anime films already decided, yet they’re prioritizing Demon Slayer. I think strict deadlines are more of an issue for TV anime series.

And about the drawing challenge—Integra from HELLSING, huh? That was a bit unexpected. But it’s fine; let’s go with that theme. I’ll aim to finish it within January, but first I need to figure out where my sketchbook is in my room and find it.

I also saw your Frieren illustration. I’ve never drawn Frieren myself. Hearing about a bomb threat at your faculty is scary… and the reason behind it feels kind of heartbreaking too.

Christmas is already over and it’s a new year now, but I hope this new year will be a good one for you!

For my next overseas trip, I’d like to go to Morocco—but who knows when that will actually happen. I personally think traveling completely alone can be risky, so I’m planning to book a car with a driver and a guide through a travel site. I traveled to Egypt in a similar way.

As for impulse purchases, right now I’m actually buying a lot of digital manga. I’m also eagerly waiting for an Evangelion clothing lucky bag I impulse-bought last year—the kind where you don’t know what’s inside until it arrives. It’s from a brand called Radio EVA. I’d be really happy if it includes a coat.

If I were dropped into an environment surrounded by otaku goods, I think I’d spend a long time deciding what to buy and, surprisingly, wouldn’t go bankrupt. I don’t really get the urge to want everything. My Rei figure is still unopened, and since it was sculpted by a proper professional sculptor, it’s actually an older piece, but I think the face still looks quite nice. I think the arms and legs are articulated too.

As for Ichiban Kuji, sometimes the figure quality is really high, and other times it’s pretty low—the gap can be surprisingly extreme. I was a bit surprised to see it available over there as well.
For the 12-hour marathon screening, they did include break times, and they also sold food up to a certain point. A Harry Potter marathon sounds nice too—I really like the second one. There are also weekly re-screening formats instead of full marathons, but if the theater is far from where you live, it’s a hassle to go every week. As for the Jujutsu Kaisen early screening, the bonus you got was the first-round bonus here, but by the time I went, it was already the third round—so this is what I received.

Happy New Year. We don’t really have a Christmas holiday here, but I’m right in the middle of the New Year’s break.

In Japan, I don’t think people used lighters as substitute lights at concerts. If you miss the last train, you literally can’t get home, and it will affect your work the next day—so I think Sanbomasters themselves probably experienced that at some point. They understand how important the last train is. Some artists say things like “please stay until the very end,” but in reality, some people have other commitments and are forced to leave even though they don’t want to. That’s why Sanbomasters saying “If you have a last train, don’t feel bad about leaving—please prioritize your own schedule” really shows how kind and decent they are. They’re often cited as the opposite example of artists who expect fans to prioritize the artist over everything else. If you miss the last train, there is no next one! You have to go back to work so you can attend the next live show!

As for Evangelion, I feel like the Japanese version is already perfect as it is, so translating it would probably make it lose some of its charm.
By Rei’s voice actress, do you mean Megumi Hayashibara? Her voice is very distinctive, so I notice it immediately. In Evangelion, she also voiced things like announcements or random housewives in town, and I noticed those too. Other voice actors often do multiple minor roles as well, so I don’t really mind if they’re not individually credited. Noticing uncredited roles is part of the fun of watching.
As for Pokémon, Ash “graduated,” and as a human character (Musashi), she also stepped away, but Pokémon still has games and other media, so I’ve never felt like we weren’t getting enough of it. Also, Megumi Hayashibara voices Bulbasaur too. Honestly, I wonder if you didn’t even notice that she appeared in the new Jujutsu Kaisen series. The movie was shown early—did you really catch her voice? Since she’s not part of a major voice-actor agency, I think she would personally refuse AI voice usage. I get the feeling she really dislikes that kind of thing. And even if someone tried to make it anyway, Studio Khara would probably take legal action and shut it down aggressively. If I ever found something like that, I’d report it to the official channels myself. If people want to hear her voice, she already hosts a weekly radio program, so fans can hear her there every week. Honestly, even before AI assistants, I think there was already a Rei-version car navigation system.
As for the Evangelion CD dramas, those are fully scripted—you’re just hearing performances based on a written script. If you’re talking about voice actors going completely unscripted, that would be the Japanese version of Transformers. Since “Detective Evangelion” was such a terrible game that I sold it almost immediately, I doubt it will ever be translated.

As for recommending directors from my country… outside of anime, I don’t really choose what to watch based on directors. Looking at the works you like, there isn’t anything in particular I’d strongly recommend.
Shiro Sagisu isn’t especially known in Japan as “the guy who did BLEACH.” He’s much more famous for Evangelion and for the live-action police drama Odoru Daisousasen. Interestingly, some Evangelion tracks are also used in Odoru Daisousasen.

Regarding posters, they’re normally sold at theaters during the screening period. There was a time when I believed that if you asked nicely after the screening ended, they might give you one—especially during the EoE screenings. I was mistaken. I do have a Spirited Away poster that I bought at a theater. I actually had it on my wall for a while, but it got pretty damaged, so now it’s stored in a closet.

I went to the Prado Museum in September—almost summer, really. I wanted to see Goya’s Black Paintings. I also wanted to visit the Alhambra because I loved the episode where it appeared in the anime Tomorrow’s Nadja. Some areas were under construction, but I’m really glad I went. The hotel receptionist spoke excellent Japanese and even arranged reservations at a place where I could watch flamenco. Spanish food was delicious! I don’t like seafood, so I didn’t eat paella, but I remember eating gazpacho and really liking it. I think I also ate tortilla at a buffet or something during the trip.

I only learned about Santiago de Compostela Cathedral because you mentioned it. The Tower of Hercules caught my interest a bit. I don’t know about Vigo’s Christmas illuminations. When people here think of Christmas abroad, I think many of them picture German Christmas markets. By the way, I don’t like octopus either—I even eat takoyaki with the octopus removed. You talk so passionately about octopus that I’m guessing you really like it, don’t you?

By the way, I’ve recovered from my cold. It took about two weeks to get better this time, so it really dragged on longer than usual.

Ah, you looked at the photos — thank you! There’s actually a scene in Evangelion where that same torii gate appears from a similar angle. The station and the misty scenery also appeared in episode 4 of the TV series. I’m not really the type who likes high places, so riding the cable car was a bit scary for me. As for the Evangelion shop, I felt like there weren’t that many items, but it was nice that they had some things where you could actually choose your favorite character instead of just getting random merchandise.

By the way, that mannequin of Rei was once auctioned off on a TV program years ago. The lot included: three frames of film from End of Evangelion (smiling Rei, Asuka after throwing the battleship, and a frightened Maya Ibuki), scripts for all 26 TV episodes and the movie, a life-sized Rei figure, an invitation to the End of Evangelion preview screening, the right to meet female voice actors at the event, and an autograph board with an original illustration drawn by Sadamoto. The whole set was sold for 1.8 million yen.

It’s been 30 years now, and since the revival screenings are attracting a lot of young audiences, I don’t think Evangelion will ever be forgotten. However, since Hakone now has so many foreign tourists, I feel like there will probably be fewer Eva-themed advertisements and events compared to before.

I’ve been really enjoying the re-releases. Apparently, some people even rented out an entire theater just to watch it alone — I’m kind of jealous! End of Evangelion was amazing to see again, especially the scene where Komm, süsser Tod (“The End of Evangelion” theme) plays. I watched the two older movies and got the sticker reward for finishing them. I still haven’t seen Chainsaw Man yet — I keep meaning to, but I always end up choosing Evangelion instead. Thankfully, Princess Mononoke is also getting a revival screening at a nearby theater soon!



Looking back, October really stands out because I caught a cold for the first time in a while. For Halloween, a TV channel aired The Nightmare Before Christmas, and it was my first time watching it. The cake I had while watching it was delicious. Oh, and that art contest you joined — I couldn’t help laughing because there were so few participants! Congrats on getting third place!

I don’t have any specific character I’d like you to draw. Compared to most overseas fans, I can actually draw reasonably well — I used to love drawing manga and character art. My skill level has been frozen at about age 12 or 13, though (LOL). But it might be fun if both of us drew the same character and compared them sometime, don’t you think?

Director Anno really loves utility poles and trains! I think he even used real photos and video footage of them in Evangelion. But since he never seems to meet deadlines for his films, I kind of doubt that he “loves his work” all that much (LOL).

I hope you’re doing well too! Wishing you a wonderful November!

I was starting to worry since I hadn’t heard from you in a while, so I’m really glad to see you’re doing well! The “Love Song” performance was memorable with all the smartphone and penlight lights. Back in the days before smartphones or penlights, I don’t think people here ever used lighters instead—it sounds way too dangerous! I guess maybe they used flashlights instead…? Just imagining it makes me laugh.

Basically, encores here are just done with handclaps. You can sometimes faintly hear whistling or shouts of “encore,” but mostly it’s just clapping. Sambomaster is such a kind group—they always say, “If you have to catch your train home, don’t worry about us, please go ahead.” Sometimes they even set up priority zones for women and children, depending on the live show.

So the version of “Tsukiakari Funwari Ochite Kuru Yoru” broadcast in Spain was in Japanese! Overseas, theme songs are often either translated or replaced with local originals, right? The ending song lyrics you wrote were so funny—so full of dancing and festival energy! I watched Dragon Ball GT every week when it originally aired, so I only know it in Japanese. I still rewatch the final episode every few years because I really love it. Since you spoke so highly of the Galician version, I’ll look it up on YouTube when I get the chance.

I find myself listening to the Evangelion drama CDs from time to time. If you listen carefully, Rei’s voice actress actually also does background voices in the anime—like the NERV announcements or random townspeople. As for Asuka calling Kaworu “homo,” I think the actual line was “narcissist homo.” The transparent plug suit idea really did appear in the new movies. The transformation idea was realized as Beast Mode, and the combination idea showed up in another work, Shinkalion. The self-introducing enemies and the flying saucer-shaped enemy also became reality later on, if I remember correctly. And even the “commander replacement” idea was used—Kaworu becomes the commander near the end of the new film. They even did a live-action musical! Some people said it lacked aesthetic beauty, but I think Q made up for that plenty. I know about Detective Evangelion for PS2 too—I bought and played it, but it was so bad I gave up early and sold it.

As for the Japanese movie Welcome Back, Mr. McDonald, it’s directed by Koki Mitani. I’ve never really liked his works, so I haven’t watched it. If someone else had directed it, I probably would have.

The composer of Evangelion has also written music for TV dramas, so there’s a certain naming pattern in his song titles. Not just for Eva, but anime goods in general tend to pile up before I notice, so I give some away when I can. I hang up calendars, but puzzles and posters—I’ve stopped putting them up since I’m bad at displaying them neatly.

Yes, I’ve been to France! I think I practically lived in the Louvre for three days straight. Araki actually drew a manga set in the Louvre, and it was later adapted into a live-action film that was actually shot inside the museum. That’s probably why it was easy for his work to be displayed there. When I went, it was Mari Yamazaki’s exhibit.

And actually, I’ve traveled to Spain before! I went to Madrid, Granada, and Barcelona. The Alhambra Palace and Gaudí’s architecture were amazing—and the food was delicious! Sadly, I didn’t get to visit the north. Sorry about that! But if you have any recommendations for places in northern Spain, please let me know—maybe I can go next time. My next destination will probably be Morocco! I want to see the Sahara Desert. I’d also love to visit the Hermitage Museum in Russia, but with the current situation in Ukraine, I’ll have to wait until things settle down.

I bought volume 7 of the manga in the first-edition version. I remember not buying the figure because I didn’t like the sculpt of the face. Now that I think about it, I also have the first-edition version of volume 9. I’ve never opened it—it feels too precious! I used to have Rei’s photo book too, but I sold it. My Eva goods come and go… lots of impulse buys. Secondhand shops often have a biased selection, so it’s usually best to buy from them first and then visit official stores. The UCC milk coffee collaboration happened because Anno loves that brand. You can actually spot UCC cans in scenes like Misato’s hacking moment early in EOE or in vending machines (including in the new films). Other anime have done coffee collaborations too, but Eva was the first to do it on a big scale.


As for art books, I really want Kouta Hirano’s rough sketch collection! The book itself is cheap, but the shipping costs so much that I keep putting it off. I’ve never been to a comic convention—only Comiket in Japan. But a friend from MAL once showed me photos from a Comic-Con, so I kind of know what they’re like. I’d love to attend a big overseas anime event someday. As for Ichiban Kuji figures, most of the faces are a bit off, but sometimes there are good ones—if a sculptor from Kaiyodo or another well-known name supervises it, 1400 yen is a steal.

There actually was an all-night marathon event covering not just Eva but all of Anno’s works, including live-action. I didn’t go, but I once attended a Kara no Kyoukai marathon—it lasted about 12 hours including breaks. I ended up falling asleep halfway through. I asked people on MAL which parts to pay attention to, so I made sure to stay awake for 3, 5, and 7. Theater popcorn is delicious! And I guess it’s expensive where you live too. Here we have about five flavors; my favorite is butter soy sauce.

I have Hellsing too! I even went to the original art exhibition this year—I love that series. The audio guide was hilarious because it barely explained anything. I really want Hellsing: The Dawn to get a proper comic release already. Since the magazine it was serialized in hasn’t been collected into a volume, I can’t throw those away even though they take up space. A paperback version came out last year, but I forgot to buy it, so I still can’t part with the magazines. My father’s a collector too—of stamps, coins, and brandy—so I guess we’re pretty similar!



Thank you for the congratulations on my first outdoor concert! The heavy bass was incredible. Unlike other concerts, there were older people and people with disabilities right near the stage, and everyone could sit and rest if they got tired—it was such a relaxed way to enjoy live music. The people filming had official permission, so no one was being disruptive. Some uploaded videos on social media, but the organizers later warned people not to, so I guess they caused some trouble for the staff.

Oh, so your birthday wasn’t listed on your profile! I didn’t notice that. Honestly, getting that surprise message made me even happier than receiving a planned gift. Sometimes I do Christmas gift exchanges with overseas friends, and if someone told me they were sending me a bunch of Evangelion goods, I’d definitely be thrilled!

This got pretty long, so I’ll stop here for now.

Hello! It’s a bit late, but happy birthday!
By the way, I didn’t know your birthday, so when I heard it from you, I was really surprised—and when I saw how happy you were, it made me feel happy too.

My cold has finally eased up, at least the runny nose has stopped.
Recently, a few people (including you) who aren’t my mother have told me things like, “I feel like your mom, I can’t help but worry about you.”
I guess I must really seem a bit reckless from the outside…

I just got back from a business trip to Hakone and Tokyo. I’m exhausted.
During my free time, I visited an Evangelion store and a manga exhibition.
Hakone is the town where the Evangelion anime is set, but since the movies are over, there weren’t many Evangelion displays or signs around anymore, which was a bit disappointing.
Still, it was really nice to actually see some of the places that appeared in the series.

Starting last week, all of the Evangelion films began being re-screened in theaters, and I went to see one the day before yesterday.
It was a new and interesting experience to be able to recognize some of the real-life locations that inspired scenes in the movie.

I’ll attach a few photos too!

In Japan too, Crayon Shin-chan was broadcast from the beginning during children’s anime time slots. The ending wasn’t usually cut, but in the case of anime movies shown on TV, sometimes the ending would be cut. I really liked the ending song “Tsukiakari Funwari Ochite Kuru Yoru.” I don’t watch Doraemon or Crayon Shin-chan anymore though.

As for Evangelion, I don’t think vinyl records ever existed in Japan. It was already the CD era. I don’t own any vinyl either, but I still have the CDs. I used to have the soundtracks from the movies. Now I only have one single CD left and two drama CDs that were special bonuses with advance tickets for the older movies.

“TENSION” is originally based on a piece of BGM from Evangelion. As the name suggests, it was the tenth track created. So it’s not strange at all that it sounded familiar to you.

Regarding Evangelion goods… I bought a lot, including books, but I’ve let go of many of them. My room will probably never be completely covered in Evangelion merchandise. There was a time when I actually had calendars and posters on my walls, though. By the way, the Louvre Museum sometimes holds exhibitions on manga, and when I visited, they happened to be doing one.

Here’s what I currently keep near my bookshelf—mostly books. By the way, my anime magazines and movie pamphlets are still unopened because I find it a hassle to open them. The manga I have are first editions, complete with the original paper bands. At the very bottom, you can see CDs. In the closet I have cards and some movie bonuses, and recently I even found two unopened puzzle boxes in the attic. So my merchandise is kind of scattered all over the place.



As for marathon screenings of Evangelion—I think there have been attempts to show all the works in one day, but honestly I would definitely fall asleep midway, so I probably wouldn’t go. Actually, around New Year’s, there were small theaters that screened Evangelion, so I’m sure there are people who organized their own viewing marathons too. Popcorn at the movies is delicious, right? The sizes are pretty big here, so I never finish it before the movie even starts. I eat slowly. My favorite flavor is butter soy sauce, so I usually buy that kind of popcorn to eat while watching. I also buy a drink, of course.

As for Hakone, I’m actually scheduled to go there this month for a business trip, so I haven’t gone yet. There are Evangelion goods shops, but I probably won’t have time to shop.

The seven boxes are actually doujinshi. I do have plenty of goods too, like cards, manga and anime magazine freebies, and collaboration items—but it definitely wouldn’t all fit into just three boxes. Sometimes I sell some at secondhand shops, but somehow the collection keeps piling up again. The problem with collecting is that it takes up so much room, so I’ve stopped trying to collect too aggressively.

As for concerts, I recently went to a music event at the Expo and experienced one where recording was allowed. It was actually my first outdoor stage concert! I watched from about the fourth row. Just a few days before the event, they announced a special guest—and it turned out to be LiSA. I got to see her really close up. She sang “Homura” and another song, “What a Wonderful World.” If you search for “Saudi Arabia Expo concert LiSA,” I think you’ll find some videos of what it was like. Officially, photos and videos during the event were prohibited, but it seems like people who don’t understand Japanese uploaded them.



Thank you for the Aizen illustration. You’re really good at drawing—I was surprised!

Hello. Sorry for the late reply. I came back safely from my trip, but maybe because I was tired, I caught a cold around two days ago and now my nose won’t stop running. My voice also sounds like Meowth from Pokémon right now—a raspy voice. (Apparently, my coworkers say I sound like I’m dying.)

“Seishun Kyousoukyoku” started with a short intro, followed by a call like, “Do you still remember this song?” and then the music began. Also, just like you said, it seems that a woman in the front row was crying hard, and Sambomaster even asked her if she was okay during the MC part of the live.

When they performed “Love Song,” which has rather sad lyrics, people waved penlights and turned on their smartphone lights to wave them. Only during that song, the whole venue was filled with lights, which left a strong impression on me.

Since the venue had about 650 seats, it felt less like a concert hall and more like a live house, and they said they enjoyed performing in that atmosphere. As for the encore, here it’s common to clap hands to ask for it, rather than repeatedly shouting “Encore!”

By the way, Sambomaster’s encore song was decided in a unique way: each of the three members wrote down the song they wanted to play, and then they drew lots to choose. Luckily, this time the selected song was “Sayonara Baby”, which has only been played two or three times in their live history.

Good evening. Since I'm traveling to Osaka starting tomorrow, I won't be able to reply with a long message, so I'll just post some photos from the live show.

It was great to hear Hikari no Rock and Seishun Kyousoukyoku too.

Hello! Sorry for my late reply. Hm? Actually, I wasn’t listening to music while answering. I’m not good at doing multiple things at the same time.

“ALONES” is a great song! Since Aqua Timez only reunited temporarily, there’s a high chance we’ll never hear it live again, so I really wish I could have experienced it. At the moment, I don’t have plans to join another Aqua Timez live as a sort of revenge. As for the polyester wristbands with plastic locks, they were being sold at the merch booth. Since I bought a T-shirt and a towel, I didn’t get the wristband. Your comment about it becoming part of your body made me laugh!

At our concerts, there’s usually a present box for gifts to the performers, but I think food is not allowed. I’ve never been to a live show where the band threw drumsticks from the stage… though I do enjoy concerts with songs that really highlight the drumming.

I usually don’t skip openings in anime, but I do sometimes skip the endings. As I’ve gotten older, I’ve come to enjoy looking at the staff credits, so compared to a few years ago, I skip them less. And you know how openings change sometimes? I really love that part—it always lifts my mood.
As for Evangelion, I used to have the soundtrack CD from the first movie version. It had a lot of classical tracks. The CDs I still have are mostly singles and drama CDs. Regarding “THANATOS -IF I CAN'T BE YOURS-” and “Komm, süsser Tod,” I think it’s quite rare for them to be played at Evangelion-related live events… they’re not really the kind of songs you’d perform live, even though I like them too. When I actually went to Yoko Takahashi’s live, the song that I first heard and immediately liked was “TENSIONS.” You should give it a try sometime.

I sometimes go to Evangelion events when they do local tours. Recently, it was announced that the movies will have revival screenings (the 2 old ones and the 4 new ones), so I’ll probably be going to the cinema every month starting next month. I didn’t watch the very first old films in the theater because I got into Evangelion a bit late. I still remember desperately wanting the poster when End of Evangelion came out. This year, I’ll probably end up spending more money on Evangelion than usual. In October, I also have a business trip to Hakone, the setting of the story.

The manga collection photos on my profile were taken a few years ago, so I’ve already gotten rid of some of those books. But actually, my collection has grown even more now—about 7 boxes worth. My Evangelion manga collection starts from volume 4 in first editions. Volumes 1–3 weren’t first editions, so I let them go. Mine isn’t the Complete Edition, but the very first old version. I was surprised to see the covers of your copies, since they were different from mine. Honestly, I think I’ll be into Evangelion for the rest of my life.

As for concerts here, recording, filming, and taking photos are generally prohibited, so nobody uses smartphones to record. If you did that openly, the security staff would probably kick you out. There are sometimes shows where recording is allowed, but I haven’t been to any. Even then, I wouldn’t record the whole concert—it would just tire my arms out. I usually just take a photo of the stage after the live ends as a memory.

Oh, so you usually go to outdoor lives! I’ve never been to one myself. I think I’d get too tired from the crowd. At the movies, I prefer the very back row. I’ve never gone to the cinema completely alone, though. I hope someday I’ll have the chance to try it. For the rest of this year, I’ll probably be munching popcorn while watching the Evangelion revival screenings like crazy.

Ah, and lastly, I got my live ticket! My seat is next to the door in the second row from the back. As expected, I didn’t get lucky with tickets. The hall capacity is about 650, so there’s no second floor. Since my seat is near the door, if the person in front blocks my view, I’ll just move to the aisle. I’m planning to bring binoculars with me too. Personally, I like watching lives from around the 8th row.

Thanks for wishing me luck! I hope lots of good luck comes your way too. And by the way, feel free to talk about Evangelion as much as you like—I don’t mind at all!

Hello, and thank you for your reply as well.
For Aqua Timez, ALONES and MASK were left out of the setlist, but Velonica was included. It seems like only a few stops on the tour had Velonica in the setlist, but for me, aaaaahhh I really wanted to hear ALONES! Well, Velonica was good too though. So I’d be happy if Sambomaster gave me a nice surprise. I laughed when you wrote about wanting to throw breath mints. At concerts here, we’re not allowed to throw things. If we want to give gifts to the artists, we put them in a present box in advance. But sometimes, the reverse happens and things like guitar picks are thrown from the stage as gifts. At the Aqua Timez concert, they handed out clear wristbands, and everyone wore them during the show.



I also live in the countryside, so almost no famous bands come here. This year is really unusual, since Aqua Timez and Sukima Switch both came to a nearby hall on tour. When I went to a concert for the first time, it was so much fun and I felt really happy. By the way, I’ve never been to a BABYMETAL or Ado concert. I even forgot the application date for the first-come-first-served ticket sales for Yoasobi. I also use a translation tool for English, so I’m not good at writing in English either. So don’t worry! What you want to say still comes across clearly.

Surprisingly, people on MAL who say they like anime don’t often talk about their dream of hearing their favorite anime songs live, like you do. But honestly, hearing your favorite anime songs live is something to admire, isn’t it? As for me, I’ve already been able to hear my very favorite anime song live. I loved it so much that I cried my eyes out during the concert. The song I cried to was Tamashii no Refrain, from the older Evangelion movies. I saw Evangelion on your list, so maybe you know which song I mean?

As for problems with going to concerts—yes, I have them! The biggest one is that because I live in the countryside, the transportation costs to get to concerts are often higher than the ticket price itself. Also, even if I win a last-minute lottery when cancellations open up, there’s a high chance I can’t go because the venue is just too far away. In fact, last year I won a last-minute lottery for a Hikaru Utada concert, but I couldn’t go. The results came just one day before, it was a busy time at work, and the venue was physically too far away.

Another issue when I can attend is that I’m short, so if a tall person sits in front of me, I can’t see the stage. I always wonder if I should buy platform shoes. And then there’s my bad luck with seat lotteries. I’ve been to three concerts this year, and twice I ended up in the very back side block of the second floor—pretty unlucky. Tomorrow I’ll find out my seat for the Sambomaster concert, but honestly I’m scared to see the result. Do you usually have good luck with seat lotteries at concerts?

I hope you have a great day too!

Thank you for your reply.

The thread we exchanged made me realize I'd love to see a concert by the group that sang the Bleach songs this year. I've already got tickets for Aqua Timez. The unexpected setlist change meant I couldn't hear the songs I wanted, which was a bit of a shock, but I hope I can hear the songs I want to hear at a Sambomaster concert. Yes, as you said, I want them to sing some of their older songs!

Tickets aren't on sale yet, so I don't know where I'll be seated. Are you the type of person who likes to go to concerts? I'd love to talk to you again, so I'll accept your friend request. Thank you for sending me a request.

Thanks to your thread, I was able to secure tickets for Sambomaster's live performance in September and will be able to attend the concert. I had been rejected about five times in the lottery, so I thought I wouldn't be able to attend, but in the end, I won.

Thank you!