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Boku no Kokoro no Yabai Yatsu is a teenage romance that stands out for the sensitivity with which it treats the feelings, insecurities and emotional growth of its characters. The first season builds its narrative gradually, allowing the audience to closely follow the evolution of the protagonists in a natural and extremely human way.

The development of the characters is one of the highlights of the show. The protagonist's transformation over the course of the season is well-crafted and convincing, showing how small interactions and everyday experiences can generate profound changes. The female protagonist is also extremely charismatic, with a striking presence that perfectly balances sweetness, ... gentleness and naturalness.

The romance is handled very delicately, focusing on simple gestures, silences and seemingly banal moments that carry great emotional weight. This approach makes the relationship believable and easy to identify with, especially for those who enjoy more intimate and realistic stories.

The comedy is well-dosed and arises mainly from the exaggerated thoughts and embarrassing situations typical of adolescence, working as a complement to the emotional drama without breaking the tone of the narrative. The direction contributes greatly to this, knowing when to slow down, use silence or highlight the soundtrack to reinforce emotions.

In addition, the anime honestly portrays themes such as insecurity, isolation and low self-esteem, representing the difficulties and internal conflicts of adolescence very well. All of this is presented at a consistent pace, which encourages emotional involvement and makes the experience very rewarding.

Overall, it's a sensitive, sincere and very well-constructed work that understands its characters and respects the time needed to develop their emotions. An excellent choice for anyone looking for a deep, human and touching teenage romance.

Otonari no Tenshi-sama ni Itsunomanika Dame Ningen ni Sareteita Ken is a romantic comedy that stands out for its cozy atmosphere and the gradual and careful construction of the main relationship. The chemistry between the main characters is one of the work's greatest strengths, with charismatic, natural interactions full of small moments that make the relationship believable and engaging.

The light and comforting atmosphere is constant throughout the season. It's the perfect kind of anime to watch leisurely, either to relax after a tiring day or to marathon, as each episode leaves you with a pleasant feeling. The humor follows the same line: simple, everyday and ... well-dosed, without exaggeration or forced situations.

Another very positive point is the emotional development of the characters. Insecurities, changes in behavior and the evolution of the relationship are dealt with in a respectful and realistic way, which helps the audience to identify easily. Furthermore, even the secondary characters, although they are not deeply explored, are likeable and charismatic, contributing to a pleasant dynamic around the main couple.

The progression of the romance is slow but consistent. Instead of rushing forward, the work prefers to build intimacy through coexistence, simple gestures and everyday dialogues. This choice works well within the proposal and reinforces the warm tone of the story.

On the downside, the series lacks greater narrative depth. The story chooses to avoid more complex conflicts or denser themes, which may cause some viewers to miss a more elaborate plot beyond the central relationship. Even so, this doesn't compromise the overall experience, since the focus of the work is clearly on emotional comfort and everyday romance.

All in all, it's an extremely pleasant, sweet and relaxing anime that does what it sets out to do very well. I recommend it especially for those who like quiet romances, focusing on characters, feelings and small moments in everyday life.

Katainaka no Ossan, Kensei ni Naru delivers a simple and comfortable fantasy, with a proposal that departs a little from the norm by placing an older, experienced and humble protagonist at the center of the story. This choice works well and brings a more mature air to the narrative, especially in the way he relates to his students and the world around him.

The biggest highlight of the season is precisely the dynamic of master and disciple. The interactions are respectful, natural and help to build a more human and cozy atmosphere, almost like a slice of life set in a fantasy world. The calmer pace ... also contributes to this feeling, pleasing those looking for something quieter and less chaotic.

The idea of an ordinary man who, over the years, has developed exceptional skills without realizing it is interesting and well applied. The silent progression of the protagonist works, and the anime manages to convey this notion of accumulated experience well, without having to overdo it with explanations or constant demonstrations of power.

On the other hand, the work suffers from a lack of real tension. The conflicts rarely convey a sense of danger, which makes many moments predictable. The animation is also quite simple, especially in the action scenes, which are not visually exciting. In addition, the secondary characters, while fulfilling their role, are not given much individual depth.

Overall, it's a pleasant and honest anime for what it sets out to do. It's neither striking nor groundbreaking, but it delivers a smooth and coherent experience. I recommend it for those who like calm fantasies, with a focus on characters, relationships and a comfortable atmosphere, as long as they don't expect great emotions or visual spectacles.

Genjitsu Shugi Yuusha no Oukoku Saikenki is an isekai that stands out by focusing less on grandiose battles and more on politics, economics, and rebuilding a kingdom in crisis. The premise is simple, but well executed within the scope of what the anime sets out to do.

Among the positive points, the protagonist stands out the most. Souma is a rational, strategic character who is consistent with his goals. Instead of solving everything with force, he uses administrative knowledge, organization, and planning, which makes his rise more interesting than usual in the genre. His growth is gradual and makes sense within the context of the story.

Another ... strong point is the way the anime addresses governance, social reforms, and economics. Issues such as hunger, infrastructure, resource management, and political stability are dealt with in a clear and accessible manner, making the narrative curiously educational. This helps to give the work its own identity, setting it apart from traditional isekai focused solely on power and fighting.

The secondary characters fulfill their role well within the plot. Even though they are not extremely deep individually, they contribute to the development of the protagonist and the construction of the kingdom, functioning as important pieces within the larger narrative plan.

Also, I don't like the harem style, so I was a little wary before starting the anime. Fortunately, the work doesn't explore this aspect very often, limiting it to specific moments in the narrative. This ended up being a positive point for me, since the focus remains more on the story and the development of the world. On the other hand, those who started watching the anime expecting a greater emphasis on the harem may have been frustrated by this more restrained approach.

In addition, the anime has a consistent pace. It knows that its strength lies in dialogue, strategic decisions, and world-building, and does not try to artificially speed up events. For those who enjoy this type of more political and administrative narrative, the pace works well.

On the other hand, the work has clear problems. One of them is in the representation of war. Although the anime addresses armed conflicts and territorial disputes, the setting is too clean, too organized, and not chaotic enough. This greatly weakens the feeling of real war, reducing the tension and emotional impact of these moments. The lack of dirt, wear and tear, and visual despair makes the conflicts seem too light for what they should represent.

Another negative point is the simple animation. Although it is understandable that the focus of the work is not on the fights, the setting itself is also unimpressive. The scenarios are functional but unmemorable, and the overall look lacks a stronger aesthetic identity. This ends up making the anime visually bland, especially when compared to other fantasy works.

Overall, Genjitsu Shugi Yuusha no Oukoku Saikenki is a solid anime within its scope. It is not visually striking or exciting in the traditional sense, but it compensates with a different approach, focused on strategy, politics, and reconstruction. I recommend it for those looking for something outside the standard action isekai, as long as you are aware of its technical limitations and narrative tension.

I honestly don't know why I wasted my time with this anime. I probably should have stopped as early as the first episode. Hazure Skill “Kinomi Master” is the purest example of a generic anime: generic protagonist, generic world, generic narrative and predictable conflicts. The biggest problem, however, is that all of this is done in an extremely lazy and boring way.

The protagonist simply can't sustain the work. He is passive, lacks charisma and has no clear motivation, which makes it almost impossible to create any kind of empathy. Even with a premise that could be minimally interesting, the script fails to exploit its potential ... and fails to give depth to the main character, who always seems to react to events rather than drive the story.

The plot suffers from clear inconsistencies. Arcs and ideas are introduced without proper development, dialogues seem loose and many conflicts arise and disappear without any real impact. This creates the constant feeling that the story doesn't know exactly where it wants to go, resulting in a shallow and poorly structured narrative.

Another extremely frustrating point is the feeling of an incomplete conclusion. The anime ends abruptly, without providing a satisfactory closure to the conflicts presented. You get the impression that the story was interrupted halfway through, which only reinforces the lack of care taken with the script.

The technical side doesn't help either. The animation is uneven and often below the current standard for fantasy anime. Stiff movements, uninspired scenes and uncreative direction make battles and important moments visually uninteresting. In such a saturated genre, where at least the animation is usually a differentiator, not even that is saved here.

The secondary characters and antagonists are equally forgettable. They lack personality, motivation and, above all, impact. None of them manage to stand out or add anything relevant to the narrative, further reinforcing the feeling that everything is just “more of the same”.

In the end, Hazure Skill “Kinomi Master” fails in absolutely every aspect it sets out to work on. There is no innovation, no emotion, no interesting characters and no competent technical execution to compensate for these flaws. It's a boring, generic and uninspired anime.

Gimai Seikatsu is an anime that stands out mainly for the careful development of its main characters. From the very first episode, you can follow the individual evolution of Asamura and Ayase, as well as the gradual maturing of their relationship.

The anime works very well with the emotional scars left by parental absence: in Asamura's case, the lack of maternal love results in insecurity, emotional coldness, unpreparedness in relationships and difficulties in dealing with women; Ayase, on the other hand, carries the absence of paternal love in a different way, showing a constant search for validation, difficulty in trusting people, emotional insecurity and an ... intense need to prove herself independent.

The pace of the anime is slower and calmer, something that I liked a lot and sets it apart from most current productions, which tend to overload the viewer with information and stimuli all the time. This more contemplative style goes well with the introspective proposal of the story. The visuals are also a strong point: the use of color is very beautiful and the direction conveys the emotional mood of the scenes well, as well as having a quality soundtrack that complements the narrative in a sensitive way.

Another positive aspect is the way the anime deals with the end of relationships, the building of new bonds and, above all, the formation of a new family structure. The relationship between Asamura and Akiko, as son and mother, is especially well developed and brings genuinely touching moments that make the viewer get involved and root for this bond. The secondary characters also play their part well, not so much individually, but as important pieces in the emotional growth of the protagonists, helping their development to happen coherently.

Despite this, the anime has some negative points that prevent it from getting a higher rating. The pace, although pleasant for me, may put off some of the audience, especially in the first few episodes, which are extremely slow and don't have a strong initial hook. At times, the characters also seem excessively cold, with very technical dialogues and overly restrained movements, which can cause the feeling that they are closer to artificial intelligences with philosophical discourses than to real people, even though they are well humanized in general.

Furthermore, while the personal development of the protagonists is very well executed, the romance itself ends up taking a back seat. The love relationship suffers from confusion, meaningless setbacks and moments of stagnation. To get the most out of the anime, it's important to be more interested in the drama and the emotional growth of the characters than in the romance, which doesn't receive the same attention.

Overall, Gimai Seikatsu is a sensitive, well-produced anime with interesting characters that is worth recommending, especially for those who enjoy psychological dramas and slower-paced narratives. Even so, its choices in romance and the ending prevent it from achieving a greater impact.

This concludes the main evaluation. Below is the real reason why I didn't give it an 8, it's because of the ending, so I'll explain it below, but it contains a spoiler.

Again, spoiler alert!

Spoiler, okay?

I don't usually comment on endings, but in this case it was decisive for the grade I gave it. Throughout the series, we see Ayase repressing her feelings and dealing with a lot of indecision. Even so, she is the first to admit internally that she likes the other person, as well as being the first to demonstrate this through jealousy, curiosity and admiration, especially since Asamura understands her so well. This internal conflict makes sense within the context of the show, and it's not something I criticize in itself.

The problem arises when, after twelve episodes focused on her emotional development, the ending once again places Asamura as the more mature of the couple, being the one who assumes first, is sincere and moves forward emotionally. Ayase, even after a conversation with the psychologist in which she realizes she is in love, still keeps her feelings trapped and says she's not sure if what she feels is love or just family affection. The ending is cute, but it leaves a sense of frustration, as I expected more of a leading role and emotional resolution from her.

Ao Haru Ride is a romance anime that works much more on the emotional and human side of its characters than on the romance itself - and this can be both its greatest quality and its main weakness.

Futaba is undoubtedly the highlight of the show. She is one of the most human female protagonists I've ever seen in a romance anime. Her journey is marked by mistakes, insecurities and attempts to fit in in order to find validation. When she realizes that she was denying herself, she changes her attitudes, learns from them and builds truer relationships. Futaba has a strong personality and is even ... more insistent, but always in a positive way that is consistent with her growth.

Kou, for his part, is a male protagonist who takes a while to develop, but when he does, it makes sense. His family is very well developed within the narrative, which helps to explain his attitudes and his more closed-off behavior. His development is slow but consistent and contributes to the emotional charge of the story.

Another very positive point is the way the anime deals with friendship and the difficulties of the school environment. Issues such as social exclusion, loneliness, the need for validation, false friendships and family problems are dealt with in an honest and sensitive way. The group of characters is small, but well explored, which helps to give more depth to the interactions.

Visually, the anime is still beautiful, even considering the time it was released. The soundtrack also plays its part well, reinforcing the melancholy and introspective tone of the work.

On the other hand, Ao Haru Ride suffers from a rather slow pace, especially at the beginning. The anime takes a long time to get going, which made me pause several times before I could finish it - something that might put off some of the audience. In addition, the romance itself could have been given more attention. Despite some cute moments and clear signs between one episode and the next, the relationship between the protagonists often seems stagnant, which ends up being frustrating.

All in all, Ao Haru Ride is a sensitive piece of work, with well-constructed characters and relevant themes, but it falters in the pace and development of the romance. Even so, I recommend it, especially for those who value more human, reflective and emotional stories, even if the progress of the relationship is more restrained.

Gachiakuta is a work that easily stands out in today's shōnen scene, mainly because it delivers something increasingly rare: originality. In a market saturated by repeated formulas, the series bets on its own well-defined ideas, starting with its extremely creative world-building, where the concept of discarding and marginalization is not only aesthetic, but also narrative and symbolic.

The striking visual identity is another great asset. The dirty, aggressive, graffiti-inspired lines give the work personality and reinforce the weight of that universe. Each scene and confrontation conveys a sense of danger, degradation and chaos, creating a unique atmosphere. This aesthetic marries perfectly with the strong and mature ... theme, which deals with social exclusion, injustice and human value in a raw way - a point I really love in the work, as it gives depth and emotional impact to the narrative.

Narratively, Gachiakuta has enormous potential. The story grows little by little, planting concepts and conflicts that promise to expand significantly. The secondary characters are very well developed, especially Zanka, who goes beyond the supporting role and proves to be essential both in the development of the protagonist and in the group dynamic.

The so-called “villains” are captivating and intriguing. Jabber steals the show with his chaotic and unpredictable presence, while the mystery surrounding Zodyl adds a layer of tension and constant curiosity to the plot. The action scenes are another highlight: intense, well-choreographed and visually striking.

The protagonist also deserves a mention. He clearly has room for gradual development, especially when he shows good intentions and a sense of justice, but he still lacks courage and conviction, which makes his journey more human and interesting.

On the downside, it does take a while to get going. The beginning is slower and may put some readers off, but once the story finds its rhythm, the experience is excellent. In addition, the world is so rich and full of ideas that the sheer volume of information needs to be dosed carefully so that the narrative doesn't get lost or confusing.

Overall, Gachiakuta is a bold, intense work full of personality, which stands out precisely because it escapes the ordinary and focuses on identity, theme and world-building. A pleasant surprise in modern shōnen.

A-Rank Party wo Ridatsu shita Ore wa, Moto Oshiego-tachi to Meikyuu Shinbu wo Mezasu is an anime that starts out with good ideas and clear potential, but unfortunately doesn't manage to make the best use of them. The world presented is well constructed, with clear rules, an interesting magic system and a fantasy setting that works. In addition, the romance present in the story is simple and predictable, but still cute and pleasant, bringing some lighter moments in the midst of the adventure.

The problem lies in the execution. The story follows an extremely generic path, resorting to clichés that have already been explored in the ... genre, such as the classic group of heroes facing a demon king, without bringing any major twists or identity of its own. The development of the plot is slow and, at various times, tiresome, giving the feeling that the narrative is going in circles. As a result, the 24 episodes end up seeming excessive, since most of them don't add anything really relevant to the plot or the characters.

The anime's biggest mistake, however, is at the end. The very part that should receive the most care and emotional impact is dealt with in a rushed and disproportionate manner. Conflicts that needed to be built up are quickly resolved, important decisions have no weight and the conclusion ends up sounding empty, which totally compromises the experience and nullifies any involvement created previously.

Despite everything, it's not one of the worst anime of its kind. There are much weaker works, and I still believe that a second season has a real chance of correcting these problems, adjusting the pace and giving more depth to the story and the characters. That's why, even though I'm disappointed, I intend to follow the sequel. Even so, considering the work as a whole, I don't recommend it.

Suki na Ko ga Megane wo Wasureta is an extremely cute romance anime, with a simple and well-defined proposal, but which doesn't always manage to go beyond the basics. Visually, the work is one of its greatest highlights: the settings are vibrant, colorful and full of movement, which helps to make even the most mundane situations enjoyable to follow.

The protagonists have a sincere chemistry and work well together. Both are kind, communicative and don't rely too much on forced misunderstandings, which makes the romance lighter and more comfortable. This emotional honesty makes the experience welcoming, especially for those looking for something quiet within the genre.

However, ... the story itself is quite simple and progresses slowly. The development of the relationship happens in small steps, often repeating the same dynamic, which can give the feeling of stagnation throughout the episodes. The constant use of the protagonist forgetting her glasses, despite being the central axis of the premise, ends up becoming predictable and tiresome, and could have been explored in a more creative and less recurring way.

In addition, the secondary characters lack depth and serve more as occasional support. The almost non-existent exploration of the protagonists' families also weakens the emotional impact of the narrative, something that is important in school romances.

Overall, it's a sweet, pretty and enjoyable anime, but with a story that's too simple and a slow pace that limits its potential. With no news of a second season, the manga seems to be the best option for those who want to delve deeper